通过购买选项租赁Anastasiia Motina的作品“ Welcome To Greenroads (Part 2) ”
Anastasiia Motina的画作可通过购买选项进行租赁
选择您的每月还款额：
索取租赁信息 "Welcome To Greenroads (Part 2)"
联系我们, 融资专家将在24小时内回复您：
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Born in Moscow in 1998 into a family of artists. After completing primary school, enrolled in the Moscow Central Art School (formerly MAHL RAKh). Graduated from MCAS in 2016 and from the Moscow State Academic Art Institute named after V.I. Surikov in 2022 (Monumental Painting Department). Became a member of the Union of Artists in 2022.
In my work, I explore various themes, but the main unifying factor for me is a real impression—perhaps, at first glance, from seemingly insignificant events. It can be anything: an impression of a place or people, of world art, literature, history, or nature.
The most fascinating part of the creative process is capturing that real moment—one that holds something unusual, perhaps even a unique combination of space and time, which may never be repeated but will still be felt and recognized by the viewer.
At the moment, I am interested in transitioning from realism and magical realism to surrealism.
Capturing the feeling of reality, transforming it, embedding an idea both plastically and conceptually, and setting off a chain of associations in the viewer—this is the process from which my works are born.
