通过购买选项租赁Ivan Stoyanov的作品“ Forest Spirits ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
My name is Ivan Stoyanov and I am a Bulgarian artist, a Master of Sculpture from the National Academy of Arts in Sofia. My work encompasses sculpture, painting, drawing, ceramics and collage. The different materials and means of expression that I use allow my ideas to move from one visual and spiritual space to another, becoming a bridge between the material and the metaphysical. Many of my monumental stone sculptures began their life with a conceptual sketch or drawing, and often the drawing is an integral part of the process of integrating objects in space. Also, for many of my drawings or large-format paintings, I use the character of the volumes, shapes and language of my sculpture, which transfer the hardness and suggestion of the stone to the plane of paper or canvas.
I turned to monumental sculpture because it is an art of open space and has the power to open doors to new forms of communication between man and nature, through the language of art. For me, this language has always contained something sublime and inexplicable. Something that has attracted and touched people for thousands of years. Perhaps because it carries the energy and information of humanity through time. My work is a visual expression of gratitude and I believe that art has the remarkable ability to draw us to something greater, inviting us to go beyond our ordinary existence. It allows us to expand our horizons, challenge our preconceptions and experience the world in a way that is both transcendent and enlightening. My works often express themes such as unity with nature, spirituality and peace. The Peace Prayer Monument, created in Japan for the Osaka World Expo in 2025, is a symbol of hope for world peace. For me, the creative process of working in stone is a unique and mysterious experience. A process of refinement in which the stone sculpts and enriches the subtle matter within me.
Everything I create bears the imprint of my quest to understand and reveal the spiritual world of things.
