Lease 画作 by Hamu Isen

通过购买选项租赁Hamu Isen的作品“ Mabochezu 9St ”

Hamu Isen的画作可通过购买选项进行租赁

绘画 标题为“mabochezu 9st” 由Hamu Isen, 原创艺术品, 丙烯
mabochezu 9st (2014)
绘画 由 Hamu Isen - 23.8x19.7 in
US$907.36

选择您的每月还款额:

每月付款
€72.07+增值税
剩余价值
€23.52+增值税
节税
€267.05+增值税
总成本
€693+增值税
每月付款
€42.04+增值税
剩余价值
€23.52+增值税
节税
€287.57+增值税
总成本
€745+增值税
每月付款
€29.13+增值税
剩余价值
€23.52+增值税
节税
€298.97+增值税
总成本
€773+增值税
每月付款
€23.29+增值税
剩余价值
€23.52+增值税
节税
€318.63+增值税
总成本
€823+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。

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常见问题

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

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更多信息

mabochezu 9st (2014)
绘画 由 Hamu Isen - 23.8x19.7 in
绘画 标题为“mabochezu 9st” 由Hamu Isen, 原创艺术品, 丙烯

关于作者

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I am an artist who works with signs as my material. Motifs such as soles of the feet, shoe shapes, ribbons, and language appear repeatedly in my work, functioning as "signs" embedded within layers of personal [...]

I am an artist who works with signs as my material. Motifs such as soles of the feet, shoe shapes, ribbons, and language appear repeatedly in my work, functioning as "signs" embedded within layers of personal memory and cultural sediment. Among them, footprints hold a particularly significant position—not merely as bodily traces, but as signs that embody actions, time, and meaning. They carry information such as “who,” “how,” and “in which direction” someone existed, serving as symbols that evoke culture, memory, and narrative. I treat them as sign-based points of contact that visualize the invisible.

My interest lies in the process through which signs become present via bodily acts, connect with materiality, and are restructured as meaning. For example, the act of writing letters with the trace of a foot reconstructs abstract language into something material and improvised—a “point of contact” where meaning blurs and begins to sprout anew. In works like the shoe shaped sculpture and parts of the Hidden Gesture series, I often use grid paper to plan forms prior to production, basing compositions on balanced ratios such as 5×7 (silver ratio) and 5×8 (golden ratio). Rather than relying solely on physical gestures, I aim for a coexistence of chance and structure by grounding my work in invisible orders.

For me, signs are not static entities but living structures within movement and relationships. Motifs such as shoe shapes or ribbons are not mere symbols; they function as devices that mediate between body and society, self and collective, past and future. My practice is a conceptual endeavor that explores the in-between of visible and invisible, thought and sensation, chaos and order through signs. Rather than reconciling opposing forces such as East and West, my work dwells within their tension.

The forms that appear in my work are never ends in themselves—they are always temporary borrowings used to mediate the questions that arise within me. Figurative and abstract, painting and sculpture, bodily traces and symbolic ribbons—all are chosen for their mediating potential and eventually recede. I create at the intersection of intuition and concept. My selection of forms and gestures is neither dictated solely by intellect, nor overwhelmed by sensation. Rather, I aim to remain within a state of "mediation" in all such acts.

查看更多的Hamu Isen

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拼贴 标题为“stir/dry gin” 由Hamu Isen, 原创艺术品, 丙烯
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US$1,457.85
拼贴 标题为“stir/vermouth” 由Hamu Isen, 原创艺术品, 丙烯
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US$1,466.18
雕塑 标题为“rise” 由Hamu Isen, 原创艺术品, 粘土
雕塑 - 粘土 | 16.1x11.4 in
US$1,781.32
绘画 标题为“mabochezu 8st” 由Hamu Isen, 原创艺术品, 丙烯
丙烯在亚麻帆布上 | 23.8x19.7 in
US$907.36

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