通过购买选项租赁Sarita Nanni的作品“ Today I Feel Free. Today I Need To Live ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I don’t just paint faces.
I paint what pulses beneath the skin.
I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained in illustration in Venice with Emanuele Luzzati and in Sarmede with Arcadio Lobato. My passion for large-scale painting led me to Florence, where I studied the ancient fresco technique.
For nearly a decade, I lived in London, collaborating on handmade ceramic murals and private pools for the Emirates market. Today I work in my studio in Rimini, alongside my sister Catia, creating unique ceramic and wood pieces — and painting what cannot be said in words.
My paintings explore the symbolic power of the face. Each portrait is not a likeness, but a vibration, a map of inner emotion. I work instinctively with a wide range of materials — oil, acrylic, tar, gold leaf, metallic foils, solvents, and whatever the process calls for. I let matter guide me: textures emerge, dissolve, resist, reflect. The surface becomes a ritual site — alive, layered, and emotional.
My artistic philosophy is rooted in experimentation and raw expressiveness. I embrace imperfection, contradiction, and the uncontrolled beauty of the unexpected. This gave birth to my personal language: Grunge Art — a visceral, mixed-media approach inspired by the emotional authenticity of Seattle’s grunge movement. My materials are not passive tools — they are living participants in the creation.
I don’t seek conventional beauty — I seek emotional truth.
My art is a visual alchemy of chaos and control, light and shadow.
Each piece is an invitation: to feel deeply, to see yourself reflected, and to connect beyond appearances.
I also offer commissioned portraits from photographs.
But don’t expect a copy.
Expect something that looks like you — more than you might want to admit.
