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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Barinova Tatyana Igorevna
was born on March 13, 1971 in the city of Kostanay.
In 1994, graduated from the Art and Graphic Faculty of ASU. Abaya (Almaty)
, a teacher of art and drawing. Since 2006, has been a member of the Union of Artists of Kazakhstan.
From 1994 to 1996, she worked as a teacher at the Children's Art School in Kostanay.
Filled with sun and summer shining paints, the chamber pictures of T. Barinova bewitch one with their unusual
transparency and sincere feeling. The leading subject of her creative work are flowers, whose splendour is not dictated by
the magnificence of luxuriant compositions but is intensified by the revealed beauty of even unpretentious field bouquets.
The vessels are always emphatically plain and delicate, almost transparent. The artist accentuates the viewer's look on the
essentials, revealing the charm and harmony of the world of flowers, which rejoice one with their short-lived beauty and
perfection. Changing compositions, the artist amazes one with daintiness of her creative manner and peculiarity of the choice
of objects for canvases. T. Barinova does not paint simply still-lives, they are rather «portraits» of natural form, diverse in
colour and plasticity.
In the choice of colours and their combination, the spectator sees the world of senses and moods of the artist herself.
Bouquets may now be baroquely complicated as if demonstrating their splendour, now chastely airy, whose colour structure
is based on gradation of semitones of one or two approximated colours. Permeated with natural feeling, they entangle the
spectator in the process of guessing and recognition, as the artist is fond of looking for unhackneyed themes. Many
compositions really enchant with melodies of unknown names. Not less interesting are well-known and liked cornflowers,
ox-eye daisies, peonies, forget-me-nots as presented by T. Barinova; they give warmth and charm of the meadow motley
grass, of an overgrown garden. The seemingly small genre, feminine at this, arouses imperishable interest of men in her
flowers as well, they admire the artist's canvases without being perplexed.
works in the field of painting, oil and watercolor techniques.
