通过购买选项租赁Lea Ottavi的作品“ Chanel's Floral Symphony I ”
Lea Ottavi的电子艺术品可通过购买选项进行租赁
选择您的每月还款额:
索取租赁信息 "Chanel's Floral Symphony I"
联系我们, 融资专家将在24小时内回复您:
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
It all started with a gift. A box wrapped in bright paper, handed to me on my birthday. I tore it open and there it was—a graphic tablet. At first, I wasn’t sure what to do with it. I’d always loved art, but I was used to brushes, pencils, and messy hands covered in paint. This was different. Smooth. Clean. Almost intimidating.
That night, I plugged it in, and the screen lit up. The blank canvas stared back at me, waiting. I picked up the pen and made my first stroke—a shaky, uneven line that didn’t look like much. But something about it felt exciting. It was as if a whole new world had opened up, one where the colors were endless, where mistakes could vanish with a tap, and where I could experiment without fear.
Soon, I couldn’t put it down. I’d lose hours blending neon blues into fiery oranges, creating swirls of colors I’d never been able to achieve with paint. The tablet became an extension of me, a tool that brought my imagination to life. I started seeing everything differently—sunsets became gradients, shadows turned into textures, and even a cup of coffee on my desk looked like a potential masterpiece.
What I loved most was the freedom. No limits, no rules. I could mix styles, play with light, and create things that felt like they belonged to another dimension. The smooth flow of the pen on the tablet felt natural, like it had always been meant for me. It didn’t matter if the world outside was chaotic or dull—on my screen, it was alive with energy and color.
That tablet changed how I see art. It showed me that creativity doesn’t have to stay in one place—it can evolve, adapt, and grow in ways I never imagined. It’s not just a tool; it’s a doorway to infinite possibilities. And every day, I’m grateful I opened that gift.