通过购买选项租赁Ilarion Szemerzewski的作品“ The Red Room #1 ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
After finishing college, where I had developed a passion for 19th-century fashion, French literature and art history, vintage and antiques, I nonetheless felt lost.
To cope, I turned to painting, starting with gouache, then oil, and finally watercolours. I prefer using old school oil paint and brushes. I do not use acrylic colours, because, although they are rich, they dry out rapidly, whereas typically, I work slowly and need to take the happening on the canvas under control. Konstantin Korovin taught us that one should start a painting with the darkest spot to achieve a rich, vibrant colour palette⸺and I do.
My work focuses on colour’s emotional impact, using small contrasting strokes to capture the world’s complexity. It’s a balance between chaotic vibrancy and structured design—like a crystal chandelier, dazzling yet ordered. In a world overflowing with information, I cherish the details: sun glints, subtle nuances, the smallest metamorphosis. It is my personal act of defiance against the conventional, a refusal to surrender to the despair that life so readily presents.
