通过购买选项租赁Martin Veldhuis (Marvelli)的作品“ When Nobody Is Watching - Fine Art Gicl ”
Martin Veldhuis (Marvelli)的画作可通过购买选项进行租赁
选择您的每月还款额：
索取租赁信息 "When Nobody Is Watching - Fine Art Gicl"
联系我们, 融资专家将在24小时内回复您：
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
When nobody is watching - Fine Art giclee reproduction (2024)
绘画 由 Martin Veldhuis (Marvelli) - 23.6x19.7 in
关于作者
My name is Martin Veldhuis but I work under my artist’s pseudonym MARVELLI. My work falls under the category of what I call magical realism: a figurative representation of an event that is hardly possible or not possible at all in the real world. And often with an undertone of humor under the motto “art with a smile”. Art doesn’t always have to be so serious or abstruse. Many of my paintings show a snapshot of an event of which it is uncertain how it came about and how it ends. I leave that to the imagination of the observer.
I exclusively paint with oil on panel. Often the image interacts with the panel on which it is painted. The image may even extend beyond the frame, painted in trompe l’oeil. I then achieve this by cutting the panel to the required shape.
查看更多的Martin Veldhuis (Marvelli)
