通过购买选项租赁Melanie Giovanna Landro的作品“ Tomorrow´s Colour ”
Melanie Giovanna Landro的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Melanie Giovanna Landro, born in 1969 with Italian/German roots, has been radiating her temperament in Berlin for 35 years. She has been fascinated by analogue collages since childhood because they radically and uncompromisingly turn reality on its head.
As a trained advertising saleswoman, mediating between people and brands is in her blood. And so, each of her works is a call for dialogue. On closer inspection, the art lover discovers numerous figures, objects and materials in her works and senses the mood of various scenes. However, the desire to talk to others about what they have seen is inevitable. She is always in contact with fellow artists and the art-loving public.
As an autodidact, she continuously optimizes her analogue, digital and mixed media working techniques and is constantly on the lookout for new ways of expression. Her role models include the artists Hanna Höch, Lee Krasner and Edward Hopper.
Collage as an art form fascinates me because of its diverse design possibilities. I create analogue, digital and mixed-media collages in my Berlin studio. I love every part of the process, starting with the search for suitable image material, the complicated cutting, tearing, or folding of the paper, the composing and arranging.
Multiple overlapping and emphasized structures lend a tangible reality. The experimental process is inspired by surprising things I see, colors and materials. On the one hand, my collages deal with social problems and, on the other, the combination of exciting motifs, materials and found objects creates a dynamic that allows the viewer to immerse themselves in a world of their own.
Accidental pictorial discoveries and the dialogue of color compositions are increasingly condensed into a creative unity during the artistic process. Unexpected discoveries of situations that have arisen in my work are either further elaborated or completely discarded.
