Lease 画作 by Patrick Fraysse
通过购买选项租赁Patrick Fraysse的作品“ Le Lepetit En Gros Plan ”
Patrick Fraysse的画作可通过购买选项进行租赁
选择您的每月还款额:
每月付款
€205.56+增值税
剩余价值
€67.08+增值税
节税
€761.52+增值税
总成本
€1,978+增值税
每月付款
€119.9+增值税
剩余价值
€67.08+增值税
节税
€820.23+增值税
总成本
€2,124+增值税
每月付款
€83.09+增值税
剩余价值
€67.08+增值税
节税
€852.44+增值税
总成本
€2,206+增值税
每月付款
€66.43+增值税
剩余价值
€67.08+增值税
节税
€908.87+增值税
总成本
€2,347+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。
索取租赁信息 "Le Lepetit En Gros Plan"
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
帕特里克·弗赖斯 (Patrick Fraysse) 于 1955 年出生于巴黎。他对音乐有着浓厚的兴趣,曾专业演奏过多种乐器(吉他,后来又演奏了巴洛克风格的鲁特琴)。他始终致力于绘画表达,并始终将其融入日常生活。. 在 1978 年至 1985 年的学习和培训期间,他熟悉了大师们的技法(墨汁、水粉画、铅笔),并定期参观博物馆和画廊。. 他的早期展览以水彩画为主,尤其是粉彩画,之后则转向丙烯画。. 在 2018 年之前,他一直从事计算机科学家的工作,并运用数字 [...]
帕特里克·弗赖斯 (Patrick Fraysse) 于 1955 年出生于巴黎。他对音乐有着浓厚的兴趣,曾专业演奏过多种乐器(吉他,后来又演奏了巴洛克风格的鲁特琴)。他始终致力于绘画表达,并始终将其融入日常生活。
在 1978 年至 1985 年的学习和培训期间,他熟悉了大师们的技法(墨汁、水粉画、铅笔),并定期参观博物馆和画廊。
他的早期展览以水彩画为主,尤其是粉彩画,之后则转向丙烯画。
在 2018 年之前,他一直从事计算机科学家的工作,并运用数字 3D 建模技术,使用 Art of Illusion 和 Blender 软件创作绘画。
但对材料操控的需求在 2010 年后才真正回归。