通过购买选项租赁Aleksei Gordenkov的作品“ "Duncan, The Angel" ”
Aleksei Gordenkov的雕塑作品可通过购买选项进行租赁
选择您的每月还款额：
索取租赁信息 ""Duncan, The Angel""
联系我们, 融资专家将在24小时内回复您：
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Alex Gordenkov was born in Kostroma, a city in central Russia, initially receiving his art training at his local Fine Art School. He moved to Moscow to expand his artistic experience of, and exposure to, more current trends and avant guarde. But in 2013 he discovered Madeira, the island of perpetual Spring which invoked an intense personal response, and has remained there working and living ever since. His work using oil, acrylic and watercolours is inspired by the beauty of nature and the human body but is also informed by images of mythological creatures. This later source has impacted on his current attentions which focus on sculptural artworks, creations imaging contemporary mythological characters, involving modern urbane storylines of fairy tales. Needing a flexible material giving him the opportunity to express beauty and plasticity of human form whilst encompassing emotionality and expressiveness of complex features and pose, he turned to the use of stoneware, recognizing its innate strengths and abilities to sustain and yet yield to his aesthetic demands. The use and application of underglaze paints accents and anthropomorphizes these fictional characters at the same time allowing artistic completeness. In this manner he is transcending through use of traditional techniques his cultural inheritance to produce attenuated figures of striking modernity which still retain the allure of aspects of childhood in their whimsy, but are fully flavoured with adult narrative, peppered with art-historical references.
His works are in private collections in France, Finland, Russia, UK and the USA.
