通过购买选项租赁Simone Romani的作品“ The Light Kisses The Swamp [...] ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I started out as a portrait painter at a very young age, later shifting my interest to nature. I thus began an artistic journey in which the study of painting merged with the discovery of the world around me, making me discover beauty in every corner. I see nature as a mystery to be unravelled, and painting as the best tool to do so. I dream of being able to create works that, with essential brushstrokes, can tell the story of the nature I am experiencing at that moment, in its entirety. But my paintings are not just landscapes. They are compositions that tell stories, moods or situations transfigured in nature. I paint mainly en plein air, using oil colours. The setting of the work is classical, figurative, perspective. The choice of colours is post-impressionist, with pure colours, often juxtaposed, mixed directly on the canvas. The execution is quick and unhesitating, typically expressionist. There is no drawing, painting is drawing. I like to paint on paper and then transfer to canvas. As a separate discipline, I am also interested in portraiture, which I have always done, also on commission.
