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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Amanda Horvath is a contemporary artist producing vibrant colourful and highly textured original paintings. After studying fine art painting and printmaking at Sheffield Hallam University, where she achieved a B A Hons (1st class) Amanda subsequently lectured in colleges. She now practices full time as an artist from her studio in Derbyshire.
“Painting is a response to the beautiful landscape around me, I attempt to capture the spirit of the forest and the quiet tranquillity that exists in these peaceful places. Moved by the ethereal light filtering through leaves in woodlands and dramatic contrasting shadows, I have a passion for expressing nature in beautiful colours, whilst imparting a meditative calm. This affinity with nature has grown from early childhood and my past experiences."
Working from observation of nature Amanda gathers visual information with a sketchbook or camera and often begins a canvas en plein air, finishing these preliminary pieces in her studio. Working expressively in acrylics or oils, often with a palette knife or other mark making techniques she applies layer upon layer until the painting reaches a natural conclusion, forming contemporary paintings that lie somewhere between abstraction and realism. Her paintings have found homes with private collectors worldwide.
