通过购买选项租赁Ellen R的作品“ Call Of The Void ”
Ellen R的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
As an artist, I navigate the intricate terrain of humanity's pursuit of progress. In a world enamored with effectiveness, efficiency, and functionality, individuals often find themselves ensnared in a relentless loop, where the quest for optimization eclipses the essence of being human. We feverishly chase technological advancements, believing they hold the key to heightened efficiency, yet in this relentless pursuit, we overlook the fundamental truth: it was humanity that sparked this journey, and it is humanity that should remain at its core.
I am no stranger to this narrative; I have traversed the spectrum from burnout to depression, grappling with the weight of high-functioning anxiety within this very system. Through my art, I endeavor to disrupt this frenetic rhythm, prompting viewers to pause, to introspect, to reconnect with their emotions and physicality. I want people to stop and think about their feelings, emotions, how their bodies react, ask themselves more often "what am I actually feeling right now? why am I doing this thing now? what am I scared of? what if I try to listen now? what does it mean to me?".
The whole life, I believe, is a flux of coincidences, formed by our minds, the power of nature and people around us. It's so fragile, it can be scary, yet beautiful. When things get chaotic, I want us to think about how much control we have in our own lives. Realism isn't just going along with whatever happens; it's about taking charge and making our own path in the midst of life's changes.
With my art I want to remind us that the most important changes don't come from technology, but from how we treat ourselves and each other. I want us to slow down and be more thoughtful, listening to our bodies and our feelings. Through this, I aspire to cultivate a world where human rights, safety, and equality reign supreme—a world where progress is not measured by the speed of our stride, but by the depth of our empathy and the richness of our connection.
