Lease 画作 by Francesco Aceto
通过购买选项租赁Francesco Aceto的作品“ Save The Time ”
Francesco Aceto的画作可通过购买选项进行租赁
Save the time
(2023)
选择您的每月还款额：
每月付款
€46.05+增值税
剩余价值
€15.02+增值税
节税
€170.72+增值税
总成本
€443+增值税
每月付款
€26.86+增值税
剩余价值
€15.02+增值税
节税
€183.83+增值税
总成本
€476+增值税
每月付款
€18.61+增值税
剩余价值
€15.02+增值税
节税
€190.95+增值税
总成本
€494+增值税
每月付款
€14.88+增值税
剩余价值
€15.02+增值税
节税
€203.49+增值税
总成本
€526+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后，将向您发送合同提案。
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
My passion began when I was 14 years old. A dear family friend of ours, she was 89 years old at the time, painted tapestries and floral paintings. I was fascinated by his wooden suitcase containing all the much [...]
My passion began when I was 14 years old. A dear family friend of ours, she was 89 years old at the time, painted tapestries and floral paintings. I was fascinated by his wooden suitcase containing all the much used, squeezed and messed up tubes of oil paints. He told me that painting was a very profound art and that by painting he listened to his state of mind. I began to make the first sketches, the first canvases, very simple and awkward. Over time I have tried to translate my being into painting. Today I am 47 years old and I paint Metamorphic distortion of respectable, infallible and inviolable schemes. An evolving vision of everyday obsolete doctrine. A form of sincere and anarchic rebellion, autonomous and not open to trends.
