通过购买选项租赁Alessio Brugnoli的作品“ Quasi Un Museo ”
Alessio Brugnoli的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Vivo e lavoro a Padova e come altri artisti contemporanei mi sono formato al di fuori dell'istituzione scolastica. Negli anni ’70, mentre già lavoravo, ho intrapreso il mio percorso artistico frequentando la “Scuola Internazionale della Grafica” di Venezia, dove ho appreso le tecniche calcografiche. Successivamente ho sperimentato la tecnica dell'acquerello e altre tecniche su carta. Dall'inizio degli anni '90 ho cominciato ad ispirarmi in maniera ampia alla pittura astratta italiana ed in seguito alle correnti artistiche dell'Astrattismo americano. Da qui ho iniziato a sperimentare l'uso di materiali industriali e di riciclo quali cemento, gesso, colle viniliche, juta, colori acrilici e carte. Queste esperienze sono state la base per organizzare nel tempo laboratori artistici per bambini e adulti, coniugando improvvisazione, fascino per i materiali e creatività. Nelle opere più recenti, ho privilegiato i temi dell’ “improvvisazione” e dei contenuti “simbolici” in arte, attraverso una ricerca personale e poetica in continua evoluzione.
I am an artist living and working in Padova, an historical town in North-East Italy. As many other artists of the 20th century, I got an unformal education outside the art schools. In the 70s, besides working, I started my artistic pathway in Venice, attending the International School of Graphics, where I learned the major chalcographic techniques. Then, I experimented watercolor and additional painting techniques on paper. From the beginning of 90s I started to get inspiration from the Italian and the US Abstract art movements. Upon that period I was deeply attracted by the use of industrial and recycled materials such as concrete, chalk, vinylic glues, juta, acrylic colours, papers. Such experience has been the basis for developing children and adult art workshops, where creativity, passion for unusual materials and spirit of invention were combined together. In the most recent period, I privileged art themes such as “improvisation” and “symbolism”, that represent the ongoing path of my present artistic research.
