通过购买选项租赁Brazza的作品“ Gillian And Monica ”
Brazza的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I am deeply moved by the critical state of our collapsing ecological balance, and in my art I ache to reconnect human experience to the wonders of the natural world. I don't see myself as an external observer of nature, but fully a part of the planetary eco-system.
My inspiration are the island of la Gomera, its people, and a constant flow of personal memories. I follow a method I call “chaos-based” painting. Whether engaged with a portrait or landscape I paint my expressionistic experience of the subject. More often I like to start a canvas empty of all concepts of what might emerge, without aim nor end-result in mind. So although my paintings are figurative, they often begin as abstracts, gathering form over time. I need to play with paint on canvas before identifying shapes, patterns, colours, rhythms, and sometimes the subject matter itself.
I sign my work as “brazza” – the Italian/French 19th Century Africa-explorer – as a reminder to keep learning, and to meet new challenges with his grace, and magnanimity.
