通过购买选项租赁Liliya Khomyakova (Artelida)的作品“ Morning In The Mountains With Birds ”
Liliya Khomyakova (Artelida)的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
My name is Lida Khomyakova.I am a professional artist based in Switzerland.
Lida had attended the architectural studio of Vladislav Kirpichev (laureate of the UNESCO prize). After school she attended the courses on composition, drawing and painting to get a possibility of obtaining Higher Education in Stroganov Moscow State University of Arts and Industry.After her graduation she had the chance to collaborate with many experienced and talented architects.After a decade dedicated to architecture and design , Lida returned to art carrier. Lida graduated the Art Therapy courses in an Art School in Milan.
As an artist I explore the phenomenon of subjective perception.In my artistic practice, I create an image of the everyday world woven from fragments, momentary images in human perception. Memories, feelings, associations - the 'human too human' literally covers real objects. I visualize this phenomenon with the help of my own theory of layers, a principled multiplicity of visual images of the world filtered through the prism of subjective perception."
I experiment with different materials, but my favorite technique is watercolor.