通过购买选项租赁Svetlin Kolev的作品“ Nude V ”
Svetlin Kolev的画图可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
Born on 1979 in Plovdiv.
Nine years old he receives a price at an international child art competition in Hungary.
In 1997 he graduates from the High School of Art “Tzanko Lavrenov” – speciality Art of painting.
In 2005 he graduates in POII and Art of painting from Academy of Music Dance and Fine Art.
Somewhere around the age of three, when I was asked what I wanted to be when I grew up, the invariable answer was – an artist. I can’t describe the feelings. For me, art has always, and in every society, been the main driver for development. Unfortunately, this seems to be forgotten today and the results are visible. – I have no such thing as favorite subjects, I paint what amazes, surprises, and captivates me, trying to convey the same emotions and feelings I have experienced observing – the inner and the outer world. Each artist is largely identified with what they are presenting, although it may be a stolen moment or a feeling of another person. My technique is not particularly unusual, it is what you express that is important to me, not how you do it. But art is not hard to make anywhere. What is intended by it and whether the expected material results are satisfying is another matter. The role of inspiration is huge, not just in art but in everything else one does.