通过购买选项租赁Christian Delavelle的作品“ Entrée Au Port ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Christian Delavelle dessine et peint depuis une quinzaine d’années. Autodidacte, ses outils d’expression privilégiés sont l’acrylique, le pastel sec et le fusain. Son langage pictural s'appuie sur la transparence, les superpositions, les reflets et la perspective spatiale.
Il développe ses oeuvres à partir de situations issues de romans, de poèmes ou de souvenirs de voyages.
Un arbre face à une comète dans la nuit, un train qui émerge du blizzard, un marin face à une vague déferlante, un cheval au galop qui surgit de nulle part, un oiseau qui contemple la lagune au crépuscule, un personnage de roman dont la vie va basculer..... parvenir à capter ces brefs instants au cours desquels le temps semble suspendu, saisir le regard de l'humain, de l'animal ou du végétal, traduire leur "dialogue" avec les éléments naturels.
Christian Delavelle a une attitude respectueuse envers les matériaux utilisés. Il utilise autant que possible des supports de seconde main et privilégie les touches qui mettent en valeur la trame de la toile.
Il a suivi les enseignements de Solweig von Kleist, Nathalie Tournesac, Olivier Le Bars et Vincent Bébert à l'Académie d'art de Meudon. Il expose en ligne à la galerie « Les 3 Dauphins » et sur « Artmajeur by YourArt ». Il présente ses toiles dans des évènements franciliens, comme le Salon de la Société Versaillaise des Artistes d’Ile-de-France, le Salon de la Sèvrienne des Arts et le Salon des Arts Meudonnais.
Christian Delavelle is self-taught. His preferred tools of expression are acrylic, dry pastel and charcoal. His pictorial language is based on transparency, superimpositions, reflections and spatial perspective.
He develops each work from situations taken from novels, poems or travel memories.
A tree facing a comet in the night, a train emerging from the blizzard, a sailor facing a breaking wave, a galloping horse appearing from nowhere, a bird contemplating the lagoon at dusk, a character in a novel whose life is about to change. He seeks to capture the gaze of the human, animal or plant, its intense dialogue with the natural elements, in these unique moments, movements, shapes and transparencies take on a special intensity and relief.
Christian Delavelle has a respectful attitude towards the materials he uses. He uses second-hand canvases and uses the canvas surface in such a way as to limit himself to representing the essential.
He has studied with Solweig von Kleist, Nathalie Tournesac, Olivier Le Bars and Vincent Bébert at the Académie d'art de Meudon. He exhibits online at “Les 3 Dauphins” gallery and on “Artmajeur by YourArt”. He participates regularly at events in the Paris region, such as the « Salon de la Société Versaillaise des Artistes d'Ile-de-France », the « Salon de la Sèvrienne des Arts » and the « Salon des Arts Meudonnais ».
