通过购买选项租赁Raj Maji的作品“ Sriradha ”
Raj Maji的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
I started painting when I was 5 years old. At the age of 12 I was able to handle watercolor and oil colors proficiently under the guidance of Chandrasekhar N. a renowned and accomplished artist of India. Later I joined DMS Fine Art Academy for my BFA and then MVA. Then I moved to Mumbai, the hub of Art in India and settled. In between around 10 years I worked in the field of media and animation.
I always tried to express my emotions towards life and truth through my paintings and experimented to depict it through the language of art. I observe everything around me and try to portray what appeals me with loosely used brushstrokes. I love to use watercolor, oil and acrylic but sometime work with pigments.
Some of my works basically deal with Indian aesthetics which is evident from the economy of lines used and simplicity of expression. Sometime the paintings display a subtle understanding of spiritualism and offer a bridge between realism and abstraction (rational and irrational world / tangible and the intangible world). I emphasize on Indian principles making extensive use of Indian motifs. What I try to express is 'Navarasa', the nine expressions