通过购买选项租赁Radek Skopec的作品“ Zrod Z Vášně ”
Radek Skopec的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Radek Skopec December 20, 1967 Sušice, Czech Republic
I would characterize myself as a “ solitaire – autodidact”.Above all else, I have always tried to enrich the artistic development journey with my ability to naturally engage with an understanding of shape and line.Throughout my expansive efforts, I have become, little by little, more intimate with contemporary fine art techniques encapsulating different materials and processes. Emerging from this natural progression there arose a new and unique visual language – a fascination for the structure of the scathed or broken surface area – with which today I combine, so as to reinforce the subliminal from this fundamental technical form. Whilst the material structure is dominant in each painting, it is through employing discontinuity in shape and line and texture that their effect is magnified, encapsulating a strong receptacle for the message. This promotes the division of individual layers of work into several phases:
The Phase of the Subconscious Mind
In my first conception of a work I put my trust in natural response – by instinct, in my emotions and my imagination. From that I seek coincidence, which inexplicably always seems to resolve itself, and with which I engage through the final results of the work. At the beginning of this process, the surface really becomes my enemy, with whom a dramatic personal confrontation must take place.
The Phase of Sensual Birth
In this phase I bring into being individual layers, manifold shapes, which are introduced and composed over the surface, only later on to be disfigured by coarse and coercive force.
The Destructive Phase
Through a process of wilful tearing, scratching and grinding, I continuously cycle the creation and destructive entities, a constant flux until a mutual balance is established.Manoeuvring in this way, between lyrical abstraction, in combination with figurative composition, this unconventional process discloses the archetypical motives latent in the unblemished form.I hope that both my conscious and metaphorical messages may also stimulate your awareness, of your feeling for music, and for fine art, but also that it will reach your heart.
