通过购买选项租赁Thomas Bathrick的作品“ Acquitté Du Péché ”
Thomas Bathrick的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Tom Bathrick is an Albany, New York artist who has been a lover of art since childhood. He's engaged in many forms of art including, graphite, charcoal, pastels, oils and acrylics.
Tom earned a Masters in Nursing at Gonzaga University and followed that up with a Doctorate in Public Health which served him during his secular healthcare career & moved him to return briefly to assist during the Covid pandemic. Now semi-retired, he spends his days once again creating abstract art works and custom portraits. Tom has shown his work in a number of galleries including the Community Art Showcase and Artepreneur. His works have sold internationally.
"As a young person I noticed i felt a variety of senses of emotion that came from the color and geometric shapes in nature. In art museums I found myself looking into the color and texture of the layers in paintings and imagined I was seeing a new emotion in the artist's subject - a change in perspective as time moved through the development of the painting. I loved this expression and I too find myself creating changing moss over the time of the piece. It's a wonderfully complex and simple evolution!"
