通过购买选项租赁Peter Otlan的作品“ Spring ”
Peter Otlan的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
Drawing was always a part of my life. I went to a school of art in Leningrad (St. Petersburg today). I had a teacher who taught me to feel reverence for works of art. He introduced me to Eugène Fromentin and his passionate relationship with Flemish painting.
I became a student of architecture, I was lucky with the professors. Among them we had Lazar Markovich Khidekel, a famous avant-garde artist, a student of Marc Chagall and a member of the Vitebsk group of artists led by Kazimir Malevich.
As a student I devoted much time to fine arts. I was a traditionalist and loved the past, paying much attention to classical architectural details. Professor Khidekel, who was noted for realizing the abstract and avant-garde Suprematist movement through architecture, tried to persuade me that nothing was impossible. Upon graduating from university I continued attending classes with Professor Alexander Pavlovich Zaytsev at the Leningrad Vera Mukhina Higher School of Art and Design. He introduced me to the school of analytical drawing. So I turned to the fine arts.
As a painter I kept participating in exhibitions of the Zaytsev School, had some shows at the Architect's House in St. Petersburg, and collaborated with galleries abroad including one in Kingston, Canada. The owner of that gallery bought a sequence of my works painted with acrylics. Today many of my works are in private collections in Japan, Canada and Germany.