通过购买选项租赁Arthur Benjamins的作品“ The Invisible Red Stripe ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
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- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Dutch-born Arthur Benjamins achieved acclaim in the UK and countries as far as Japan and Australia with his motor racing art. He pioneered the use of enamel paints, which no other artist had ever attempted in motor racing art. His colorfully trademark photo-realistic style caught the attention of the media and public. His use of photo realism by motoring artists since 1983 began to be widely copied.
He became extremely active in Land-and-Water speed record breaking art, resulting in having painted a wide range of book covers on the subject. His work has appeared as limited edition prints, countless newspapers and magazine articles. He has also appeared on national television.
He is completely self taught, which enabled him to explore his visions without rigid guidelines set by specific tuition.
He pioneered “Abstract Iconography”, where known and lesser-known iconic images are guided into a form of minimalism, a heartbeat away from abstraction. This also embraces portraits of musicians, actors, politicians, artists and racing drivers.
He has also totally revived “Neoplasticism” which fell quiet in 1944 when Dutchman Piet Mondrian died in New York. Benjamins has taken over this baton and his own style has cast a new spell on this entire movement. Again, with the use of texture and specific colors, he partially maintains the edict of Mondrian's strict ethos, balancing it with his own
Like his Dutch expatriate predecessors, Willem de Kooning and Piet Mondrian, who settled in the USA, Arthur Benjamins plans to follow in their footsteps and leave his own indelible mark in the world of art.
His first of many USA exhibition was in 2014, and in this short while, his work has begun to move into the hearts and minds of a great many Americans.
