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关于作者
虽然精通多种媒介,但我最常被描述为“蛋壳雕刻家”,使用高速雕刻设备将真正的(主要是鸵鸟)蛋壳雕刻成复杂而精致的浅浮雕花丝描绘。
由于当前倾向于残疾、贫困、无家可归和克服障碍等话题,我利用媒介本身来传达和强调强弱不可分割的本质,促使我们质疑这个支点在哪里;统一实体和主题以强调差异。
“小”比“大”更脆弱吗?什么更有毅力:年轻还是年老? “男”比“女”占优势吗?究竟是什么?如果我表现出软弱,我是否放弃了我的力量?
我们用来定义感知的词语和意象决定了我们的偏好和偏见,必须不断严格调查它们的来源和准确性。毕竟,我们自己的基本自信和不安全感都是基于先入为主的观念和想法......
如果我们错了怎么办?
如果要捍卫我们的信念,我们必须首先质疑它们的有效性。
越是关注偏见,就越能集中注意力使它们保持平衡。仔细看:穷人是弱者还是强者?有了诚实的评价,判断就不再坚定。
分离性侵蚀。
在最基本的本质上,我的作品强调了普通物质和物质的界限,质疑“多远?”在力量必须屈服于它的弱点之前。
鸡蛋:历史上几乎每一个文明的生命、出生和重生,有机地隐喻了物质和形而上学的人类状况。
我的艺术以生活的形式出现,问生活,“我们的身心或精神有多强?”
它默默地提出了我们的宇宙每天都在呼喊的同一个问题:
多远,在你休息之前? *
我的作品从软弱的位置悄悄地讲述了力量,并以许多人的声音来表达。
削弱实力。救赎导致进化。坚定而胜利地出现,
未破解。
(?)*