通过购买选项租赁Alain Du Pontavice的作品“ Ethereal Dance ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Growing up in Paris in the 60’s, Alain began drawing at the French Academy, ‘La Grande Chaumière’ and in the Montparnasse studios of artists such as Rene Tomasini.
In 87 he graduated with an MA in Mandarin Chinese at the University of Paris 7 after which he lived fifteen years in Asia where he learned calligraphy and practised Taiji and meditation. He also worked at that time in textiles passionated of techniques such as Ikat, Batik and Shibori. In 2002 he established himself in South America where he was captivated by the energy of the Andes and met artist Felix Lazo with whom he deepened his painting practice.
He started painting abstract art in 2004 revealing sceneries and landscapes with multi-layered backgrounds of oil paint whether in fine or thick coatings and using sometimes agglomerate of paints and sand. The process he uses has a deep connection with his inner-self exploring the unconscious and allowing the creativity to flow. A practice he nurtured early on with meditation and automatic drawing.
Oil painting fascinates him as a medium and so does the canvas offering endless possibilities in both the use of colours and texture. The exposure he had whilst he worked in textiles has enriched his perception of colours and the feeling of the canvas construction. The influence of many years living in Asia and South America, absorbing different cultures and techniques have also enriched the palette and the complexity of his work.
Alain shares now his time between his Studio in France and London. He is regularly exhibiting in the UK and also in France. His work is in private collections in the States, Europe and Japan.
