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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Rich Gabe was born on outside New York City and later moved to Boston where he continued his passion for art. Formal training continued at Philadelphia College of Art, College of the Museum of Fine Art Boston and The Art Institute of Boston.
This body of work was started at his studio in Florida where he lived prior to moving to Kansas City. In his process, he first plans each piece in pencil and then transfers it to board. He then inks the base and works out the color by doing miniatures before the final painting. His unique technique uses ink as well as liquid textile dyes on board.
It takes an average of three to four months to complete each piece. The final textile dyes cannot be fixed or erased once applied. If he makes a mistake he must start over using the original pencil.
Gabe produces work that challenges the mind. His brain-teasing prints use interlocking shapes, transforming creatures, and impossible architectures to challenge the viewer's perceptions of reality. His finely crafted compositions combine precise realism with fantastic explorations of pattern, perspective, and space. Much of Rich’s inspiration came from his passion for M.C. Escher’s work and the intense color palette of Maxfield Parish. He studied engineering perspective to learn how Escher made the impossible possible.
Much of his work uses tessellations. They are the process of creating a two-dimensional plane using the repetition of a geometric shape with no overlaps and no gaps. Tessellations frequently appeared in the art of M.C. Escher, who was inspired by studying the Moorish use of symmetry in the Alahambra tiles during a visit in 1922 and who has inspired me since I was a young boy seeing his work at the Boston Museum Of Science. Examples of tessellations in the real world include honeycombs and pavement tilings. His work is then produced in Giclée prints.
Apart from being a graphic artist, he illustrated album covers, designed packaging, as well as a long career as an Art Director and Creative Director.
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