通过购买选项租赁Annabel的作品“ Katy Perry ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I am Nadeesha Wathsala born in Sri lanka (1992) and mainly focused on pencil on paper drawings. I never received a real education in Art, but I always loved to drawing so exaggerated. My artworks are done in a realistic style, which is characterized by translating photographs into drawing with extreme attention to details.
In the beginning I held my art just for me. I draw in pencil simply as a hobby. I started drawing at the end of 2013. I love to draw faces. Each face to me tells an intriguing story regardless of age, gender or background. In the process of putting pencil to paper, I begin by drawing in sections/stages. I had access to better quality photos and took inspiration from the fantastic drawings I saw on Internet, which prompted me to improve my drawings.
