通过购买选项租赁Bloniarz的作品“ Yellowstone Insta Stories ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Joanna Błoniarz (b. 1973) studied at the Faculty of Painting at the Academy of Fine Arts in Krakow. She runs the Dok Art Gallery by the Polish sea. Her second home is the Netherlands. All these places are reflected in the artist's works - from metropolises and industrial landscapes to spaces created by nature, mainly the sea. Subsequent stages of her artistic explorations are associated with the human presence in the environment, seeking analogies between art and everyday life.
My work is multidisciplinary. I approach each project as if it were the first. I do not have a planned or permanent medium that I use, nor a predetermined final effect. I explore whether the image, as a phenomenon in itself, fits within the designated frames or is merely a snapshot or fragment. In search of what is conventional and universal, I slowly interpret personal visions of time and space. In every process, it is the image or other subject that guides me.
While working, I dynamically respond to ever-evolving thoughts. The unfinished image sometimes completes itself over time.
Besides Visual Arts, I am involved in interior scenography. I carry out visual metamorphoses of existing objects and extract their personality consistent with their history, context, and purpose.
