Lease 电子艺术品 by Tomasz Rolko

通过购买选项租赁Tomasz Rolko的作品“ Too Many Faces Ii ”

Tomasz Rolko的电子艺术品可通过购买选项进行租赁

数字艺术 标题为“Too many faces II” 由Tomasz Rolko, 原创艺术品, 拼贴
Too many faces II (2018)
数字艺术 由 Tomasz Rolko - 27.6x19.7 in
US$137.93

选择您的每月还款额:

每月付款
€10.88+增值税
剩余价值
€3.55+增值税
节税
€40.19+增值税
总成本
€105+增值税
每月付款
€6.35+增值税
剩余价值
€3.55+增值税
节税
€43.32+增值税
总成本
€113+增值税
每月付款
€4.4+增值税
剩余价值
€3.55+增值税
节税
€45.03+增值税
总成本
€117+增值税
每月付款
€3.52+增值税
剩余价值
€3.55+增值税
节税
€48.17+增值税
总成本
€124+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。

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What are the advantages of leasing works of art?

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How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

更多信息

Too many faces II (2018)
数字艺术 由 Tomasz Rolko - 27.6x19.7 in
数字艺术 标题为“Too many faces II” 由Tomasz Rolko, 原创艺术品, 拼贴

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After some fruitful experiments with poetry (make four poems collection, produced with DIY method) and creating of the poetic group. I’ve focused on photography. I tried to merge modern, digital image processing [...]

After some fruitful experiments with poetry (make four poems collection, produced with DIY method) and creating of the poetic group. I’ve focused on photography. I tried to merge modern, digital image processing with vintage techniques (like: pinhole and nineteenth-century "gum" technique). Eventually, I decided to link photography with painting and drawing. From water paints, through photography, by the deformation and manipulation of the images. This combination of classical art with unlimited possibilities of digital processing (limited only by imagination) it’s something like a bridge between different generations. Past and present. It’s a chance for me to place myself in current world and time. They inspire me:: fashion collages, collage abstraction, abstraction, streetart and popart.

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