Simulation (2020) 摄影 由 Idan Wizen

摄影, 23.6x23.6 in
US$821.86
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Idan Wizen 出售
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ABOUT "Simulation" --------------------- "Simulation" is part of Into The Box collection made in 2020. ABOUT THE SERIES "INTO THE BOX" -------------------------------------- The ongoing situation may not be the most propitious for the artistic sphere, but that is not everybody’s[...]
ABOUT "Simulation"
---------------------
"Simulation" is part of Into The Box collection made in 2020.


ABOUT THE SERIES "INTO THE BOX"
--------------------------------------
The ongoing situation may not be the most propitious for the artistic sphere, but that is not everybody’s case. Numerous artists take advantage of the lockdown to have a deeper look into themselves and find the inspiration for creating in order to respond to the current events. What was at first just an idea to pass the time in the studio, while there were no clients, and while nobody’s watching, is now transformed into the new collection Into the Box.

The fine art artist Idan Wizen had this idea during the second French lockdown when the studio was closed to the public, so he had no choice but to shoot himself and his coworkers. Assembled in the studio by the team, the box is the representation of the enclosure that one may live in during the confinement. Compressed, almost squeezed in the cube, the protagonists represent different emotions we may endure: from anger to stillness, from crying to apathy.

There is yet another question that pumps up constantly: are we sure that is only the Covid situation that puts us into the box, or do we do so ourselves? Indeed, quite often we can find ourselves in our comfort bubbles. The problems that sneak inside rest within, until we don’t find any place for other emotions of everyday life. And there we are, suffocated in the box, with nowhere else to go.


A WORD FROM THE ARTIST
-----------------------------
I’m creating strong and striking images for one purpose: I want my images to provoke thought and discussion. I want the viewer to question himself, question his certainties, learn to see things differently. Pondering two levels: the individual and societal. At the individual level, I want my work to take the viewer on a journey to think about the constraints their minds self-impose, of acceptance of their body, or to help find the beauty in all shapes, sizes, and flaws. At the societal level, my reflections turn to the choices we will have to make tomorrow: our morals, our environment, our responsibility towards future generations, our relationship to science, to the transformation of homo sapiens into a new species…

These images come from a wide inspiration, mainly from writings, such as those of Bernard Werber or Yuval Noah Harari, but also great photographers like David Lachapelle or Jill Greenberg. Not to mention, of course, my pop culture, ranging from Marvel to Tolkien through the Rock and Metal music of the 70s and 80s.

Combining strong ideas with the relevant aesthetic of an image seems to me easier than writing a political or philosophical piece. Art allows us to send a more subtle message, a message that will be interpreted differently depending on the viewer. By using in my art, the subtlety and multi-interpretation of the message, I want to make the viewers’ ideas into perspective their vision of things and thus, to understand mine. I want to caress the unconscious and thus becoming the seed that will germinate over time allowing an evolution of ideas.

Most artists have very radical opinions on their topic. I tend to believe that most of our daily challenges and problems are complicated involving a complex and subtle solution. I’d like to think about the faces of the coin. Isn’t it funny for a 2D artist? For now, it’s in photography that I found the most comfortable way to express myself. But I’m starting to think about sculpture and video in order to express more easily the permanent, rage and hope, cohabitating inside me.

My rage is coming from the contemplation of a world seeming to turn in the wrong direction! I always feel repulsed and angered at many things. I feel anger towards the state of the world. I feel beaten down at people’s stupidity, violence and hypocrisy. I feel thunderstruck at the fear of progress and science. And I also truly believe that our world is better now than it has ever been. I’m amazed by some beautiful minds, by the creativity and intelligence of the human kind. So it’s in the human kind that I put my hope and my expectations for tomorrow!


TECHNICAL INFORMATION
----------------------------
Series: Into The Box
Edition of 3 - Print unique on each size
Type of print: Silver-based C-Print
The print offered here: 60 x 60 cm mounted on Dibond.
The print is coming with a Hahnemühle certificate of authenticity.

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Idan Wizen 是法国-以色列艺术家和摄影师,Un Anonyme Nu Dans Le Salon 项目的创始人。他的摄影作品曾在巴黎、纽约、迈阿密、大阪……展出。 2013年,他获得了国际PhotoShootAwards最佳男裸照奖。随后,该项目的照片获得了 40 多个奖项。 伊丹于 1984 年 10 月 26 日出生于特拉维夫。 2002年,他加入巴黎第二大学,开始攻读经济学和管理学。但很快这位艺术家就意识到他最喜欢的领域是艺术、摄影和广告。 之后加入Sup[...]

Idan Wizen 是法国-以色列艺术家和摄影师,Un Anonyme Nu Dans Le Salon 项目的创始人。他的摄影作品曾在巴黎、纽约、迈阿密、大阪……展出。
2013年,他获得了国际PhotoShootAwards最佳男裸照奖。随后,该项目的照片获得了 40 多个奖项。
伊丹于 1984 年 10 月 26 日出生于特拉维夫。 2002年,他加入巴黎第二大学,开始攻读经济学和管理学。但很快这位艺术家就意识到他最喜欢的领域是艺术、摄影和广告。
之后加入Sup de Pub,2007年获得艺术指导硕士学位。2008年又获得“伦敦艺术大学”硕士学位。
回到巴黎后,伊丹·维森 (Idan Wizen) 曾在化妆品领域担任过短暂的营销经理,之后创立了一家传播机构 Studio Idan,从事印刷、网络和摄影工作。
随着这项活动,Idan 开始拍摄,因此在 2009 年 4 月 18 日,Un Anonyme Nu Dans Le Salon 项目成立。他对光线的驾驭,对照片独特的渲染,他能把任何人都变美,他所驾驭的模特很快就获得了信任,让越来越多的人前来为这个已经超过2000人的项目摆姿势至今。
除了他继续发展的 Un Anonyme Nu Dans Le Salon 项目外,Idan Wizen 还致力于广告和时尚摄影以及其他艺术项目,例如 Hinders、Into The Box、The World We Left Them 等。

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摄影 | 47.2x47.2 in
US$4,198.44
摄影 | 23.6x23.6 in
US$821.86
摄影 | 47.2x47.2 in
US$4,198.44

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