专家评选
当代艺术界公认专家精心挑选的艺术品。
JÉRÔME PANTALACCI
图像的信仰
摄影的视角
摄影自创立以来就承载着观察者的可信度验证。它立即被视为现实的忠实反映。其实它从未是这样。摄影师们从未局限于这种忠实，他们拿起相机，以另一种视角看待世界，并玩弄我们的感知感官。
在数字技术和人工智能允许各种操控的时代，图像不断受到质疑，而摄影失去了所有的可信度验证，观察者也不再相信他们所看到的，仍有摄影师继续与相机、框架以及单焦点视角玩耍，创造出能让我们以不同方式看待世界的图像。
对世界给予新的关注，或者仅仅是靠近现实或改变视角，是在一个淹没于无效图像的世界中，给予眼睛的休息，这些图像使我们失去了对现实的信仰。
摄影的视角
摄影自创立以来就承载着观察者的可信度验证。它立即被视为现实的忠实反映。其实它从未是这样。摄影师们从未局限于这种忠实，他们拿起相机，以另一种视角看待世界，并玩弄我们的感知感官。
在数字技术和人工智能允许各种操控的时代，图像不断受到质疑，而摄影失去了所有的可信度验证，观察者也不再相信他们所看到的，仍有摄影师继续与相机、框架以及单焦点视角玩耍，创造出能让我们以不同方式看待世界的图像。
对世界给予新的关注，或者仅仅是靠近现实或改变视角，是在一个淹没于无效图像的世界中，给予眼睛的休息，这些图像使我们失去了对现实的信仰。
MARC DONNADIEU
家庭照片（印度夏天）
一次摄影之旅
这次摄影之旅关注的是夏季，这是一个抛弃日常平凡、以不同方式度过假期的时刻。它因此使得捕捉新的家庭故事成为可能，正如Hicham Ahyoud、Hervé Gergaud或Anne-Marie Bertin的图像所示。
旅行的时间在视觉片段中分解和重组。Henry Pouillon、Jean-Michel Ratron和Catherine Ballet的作品通过对比、变形或叠加的效果完美地体现了这一点。
对许多人来说，海滩是假期的象征性领土。在那里，我们常常聚集，却又与他人隔离。Cécile Ducrot、Emmanuel Passeleu和Hégémon Chaignon的摄影作品因此展现了人类在海洋地平线的广阔面前的脆弱。然而，它同样也是对垂直性的征服，正如Gilliard Bressan和Sharlie Evans所证明的。我们在这里与他人较量，也像在空中一般互相拥抱。
摄影同样是色彩和图形的事情，正如Ori Junior、Debbie Scott-Queenin或Elke Matthaeus所展现的忧郁日落。
Luc Pallegoix最后在夏夜的核心，描绘了充满游戏与梦幻的动物图腾形象。如果我们在夏季玩耍呢？...
一次摄影之旅
这次摄影之旅关注的是夏季，这是一个抛弃日常平凡、以不同方式度过假期的时刻。它因此使得捕捉新的家庭故事成为可能，正如Hicham Ahyoud、Hervé Gergaud或Anne-Marie Bertin的图像所示。
旅行的时间在视觉片段中分解和重组。Henry Pouillon、Jean-Michel Ratron和Catherine Ballet的作品通过对比、变形或叠加的效果完美地体现了这一点。
对许多人来说，海滩是假期的象征性领土。在那里，我们常常聚集，却又与他人隔离。Cécile Ducrot、Emmanuel Passeleu和Hégémon Chaignon的摄影作品因此展现了人类在海洋地平线的广阔面前的脆弱。然而，它同样也是对垂直性的征服，正如Gilliard Bressan和Sharlie Evans所证明的。我们在这里与他人较量，也像在空中一般互相拥抱。
摄影同样是色彩和图形的事情，正如Ori Junior、Debbie Scott-Queenin或Elke Matthaeus所展现的忧郁日落。
Luc Pallegoix最后在夏夜的核心，描绘了充满游戏与梦幻的动物图腾形象。如果我们在夏季玩耍呢？...
LAURENCE DREYFUS
RIVIERA
精心策划的Riviera选择，由Laurence Dreyfus orchestrated，细腻地捕捉了地中海的光辉和独特的本质。这一丰富而充满活力的策展汇集了多种视野的作品：生动的抽象作品，其中颜色和光线完美和谐地交织在一起，如Jchadima或Mila Weis的画作系列；庆祝身体在其最真实形态中纯粹性的简约雕塑，如Marie Saksik的雕塑；以及如Gaetano Ligrani的Riflessioni或Gozo的Viaje solitario等建筑和梦幻景观，自然与城市主义优雅对话。
在阳光的闪烁、细腻的氛围和悬停的瞬间中，每一件创作——无论是像Fabienne Choyau的Réflexion féline那样具象，还是像François Cusson的Carotte sauvage, rouge那样更具诗意——都邀请人们进行一次既视觉又情感的旅行，深刻而独特。
Riviera向塑造这一特殊领土的文化丰富性和艺术多样性致敬，在这里，物质、光线和地中海的气息结合在一起，构成了一场罕见强度的视觉交响曲。
精心策划的Riviera选择，由Laurence Dreyfus orchestrated，细腻地捕捉了地中海的光辉和独特的本质。这一丰富而充满活力的策展汇集了多种视野的作品：生动的抽象作品，其中颜色和光线完美和谐地交织在一起，如Jchadima或Mila Weis的画作系列；庆祝身体在其最真实形态中纯粹性的简约雕塑，如Marie Saksik的雕塑；以及如Gaetano Ligrani的Riflessioni或Gozo的Viaje solitario等建筑和梦幻景观，自然与城市主义优雅对话。
在阳光的闪烁、细腻的氛围和悬停的瞬间中，每一件创作——无论是像Fabienne Choyau的Réflexion féline那样具象，还是像François Cusson的Carotte sauvage, rouge那样更具诗意——都邀请人们进行一次既视觉又情感的旅行，深刻而独特。
Riviera向塑造这一特殊领土的文化丰富性和艺术多样性致敬，在这里，物质、光线和地中海的气息结合在一起，构成了一场罕见强度的视觉交响曲。
SONIA PERRIN
THE FOREST OF DREAMS
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world. Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living [...]
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
SONIA PERRIN
COUPS DE ❤️ ART-O-RAMA
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context. 3/ Galerie in situ presents the sociological work of young visual and performance [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing.
1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video.
2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context.
3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity.
4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing.
1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video.
2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context.
3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity.
4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
THE DRAWER
RAINBOW PORTRAITS
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper. Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous.
Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper.
Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous.
Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper.
Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
STARTER
ARTYSANAT
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand. By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading [...]
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
STARTER
IMAGINING THE INVISIBLE
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage. Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world? What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat. Space images offer a window [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space.
The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage.
Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world?
What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat.
Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space.
The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage.
Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world?
What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat.
Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
THE DRAWER
THE ART OF BLURRING
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The first is based on violent news images, which she reframes and redraws in her own way. The second seeks to depict atmospheres, worlds, seascapes or forests. For Houston Maludi, it's the accumulation of details that leads to a form of indeterminacy. From a distance, the compositions resemble an abstract motif. Up close, an urban landscape comes to life. Charles Le Hyaric, for his part, seeks to mimic [...]
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The first is based on violent news images, which she reframes and redraws in her own way. The second seeks to depict atmospheres, worlds, seascapes or forests. For Houston Maludi, it's the accumulation of details that leads to a form of indeterminacy. From a distance, the compositions resemble an abstract motif. Up close, an urban landscape comes to life. Charles Le Hyaric, for his part, seeks to mimic "what we perceive of this great whole called nature". He entitles his canvas "Ouvrir les yeux sous l'eau" ("Open your eyes under water"). And everything naturally becomes a blur. English artist Jack Warne, who suffers from a hereditary corneal disease, manipulates the source photographic image to create compositions in which real objects stand out. These works are best viewed with eyes half-closed, to gain new insights into our world and theirs.
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The [...]
Working the image or motif in such a way as to give it an indefinite character, playing with tools or scales to modify reality, bringing sensations to life through a gesture or repeated writing: blur is a singular art form. Breaking away from figurative art, but not in the realm of abstraction, these works deserve redoubled attention. What is there to see in Léa Belooussovitch's colored pencil drawings on felt-tip pen? What's the point of Armelle de Sainte Marie's works on paper, made with an often-repeated hatching gesture? You have to look at the titles of the works to grasp the subject. The first is based on violent news images, which she reframes and redraws in her own way. The second seeks to depict atmospheres, worlds, seascapes or forests. For Houston Maludi, it's the accumulation of details that leads to a form of indeterminacy. From a distance, the compositions resemble an abstract motif. Up close, an urban landscape comes to life. Charles Le Hyaric, for his part, seeks to mimic "what we perceive of this great whole called nature". He entitles his canvas "Ouvrir les yeux sous l'eau" ("Open your eyes under water"). And everything naturally becomes a blur. English artist Jack Warne, who suffers from a hereditary corneal disease, manipulates the source photographic image to create compositions in which real objects stand out. These works are best viewed with eyes half-closed, to gain new insights into our world and theirs.
SONIA PERRIN
COUPS DE ❤️ PARIS+ BY ART BASEL
Paris+ by Art Basel opens the doors to its second Parisian edition at the Grand Palais Éphémère from Thursday October 19 to Sunday October 22, 2023, helping to anchor Paris among the world's top 4 art market capitals. This artistic dynamism is reflected in the very large number of galleries in France (over 2,000 this year) and the growing number of foreign galleries setting up in the country. The exceptional range of museums and private foundations also contributes to positioning Paris as the home of an artistic offering that is unique in the world.
Paris+ by Art Basel opens the doors to its second Parisian edition at the Grand Palais Éphémère from Thursday October 19 to Sunday October 22, 2023, helping to anchor Paris among the world's top 4 art market capitals. This artistic dynamism is reflected in the very large number of galleries in France (over 2,000 this year) and the growing number of foreign galleries setting up in the country. The exceptional range of museums and private foundations also contributes to positioning Paris as the home of an artistic offering that is unique in the world.
