© 2019 Georgy Bezborodov
The Muslimgause's wave (2019) 摄影 由 Georgy Bezborodov
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该作品是“开放版”
摄影,
GicléePrint / 数字打印
在纸上
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 分类 摄影作品 低于US$1,000 表现主义 音乐
The dance in memory of the great musician Bryn Jones, aka Muslimgause, (17 June 1961 - 14 January 1999) has been repeated every year for over 20 years. This British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world still inspires many people to find their identity.
This artwork[...]
The dance in memory of the great musician Bryn Jones, aka Muslimgause, (17 June 1961 - 14 January 1999) has been repeated every year for over 20 years. This British ethnic electronica and experimental musician who was influenced by conflicts and history in the Muslim world still inspires many people to find their identity.
This artwork is part of Shotland project
Concept
Shotland literally is a “country of images” — it is an ideal world that is created from a documentary depiction of the most magical moments of life, when unpredictable randomness is added to the author’s plan. In order to get just a good professional photo, it’s enough to do everything very accurately “from the head”, but in order to catch the magic, this is not enough. George creates all the necessary conditions for work, then gives vent to “chance” — those unpredictable moments that cannot be foreseen — how the wind moved the branch, how suddenly the model turned, how suddenly a flare appeared. All filming is thoughtless, documentary, live. Due to this approach, a combination of the quality of studio, staged shooting and liveliness of reporting is achieved.
This artwork is part of Shotland project
Concept
Shotland literally is a “country of images” — it is an ideal world that is created from a documentary depiction of the most magical moments of life, when unpredictable randomness is added to the author’s plan. In order to get just a good professional photo, it’s enough to do everything very accurately “from the head”, but in order to catch the magic, this is not enough. George creates all the necessary conditions for work, then gives vent to “chance” — those unpredictable moments that cannot be foreseen — how the wind moved the branch, how suddenly the model turned, how suddenly a flare appeared. All filming is thoughtless, documentary, live. Due to this approach, a combination of the quality of studio, staged shooting and liveliness of reporting is achieved.
相关主题
表现主义
tribal
dance
feminity
dark
black and white
bw
two people
performance
liquid
hands
girls
female
extasy
expression
movement
mobe
flight
soul
self-expression
identity
Georgy Bezborodov 是一位建筑师和摄影师。他对城市规划的了解极大地帮助了摄影中的构图、体积、光线、透视、绘画和图形。 他的作品以生活、肖像和风景为主题，以灯光为特色，使他与其他艺术家区别开来。 Georgy Bezborodov 在莫斯科（俄罗斯）工作。他是俄罗斯艺术摄影师联盟成员，俄罗斯生态学会主席顾问，俄罗斯地理学会会员，俄罗斯摄影俱乐部会员，营销公司Time4brand董事。他参加了许多展览，并在俄罗斯和国外的许多出版物上发表了他的作品。[...]
Georgy Bezborodov 是一位建筑师和摄影师。他对城市规划的了解极大地帮助了摄影中的构图、体积、光线、透视、绘画和图形。
他的作品以生活、肖像和风景为主题，以灯光为特色，使他与其他艺术家区别开来。
Georgy Bezborodov 在莫斯科（俄罗斯）工作。他是俄罗斯艺术摄影师联盟成员，俄罗斯生态学会主席顾问，俄罗斯地理学会会员，俄罗斯摄影俱乐部会员，营销公司Time4brand董事。他参加了许多展览，并在俄罗斯和国外的许多出版物上发表了他的作品。
