Etude de baigneuse 2 (2021) Drawing by Wilfrid Moizan

Charcoal on Paper, 18.1x24 in
$780.6
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Ce fusain baigneuse fait référence au mythe de Narcisse, au féminin cette fois. La femme en partie immergée semble prise dans une sorte de lent tourbillon liquide en forme de disque, tel un prolongement du corps. About this artwork: Classification, Techniques & Styles. Charcoal. Drawing made with a branch of Willow or charcoal of charred Europe. It [...]
Ce fusain baigneuse fait référence au mythe de Narcisse, au féminin cette fois. La femme en partie immergée semble prise dans une sorte de lent tourbillon liquide en forme de disque, tel un prolongement du corps.

Related themes

FemmeCorpsEauRefletNoir

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Wilfrid Moizan vient d'une famille d'artistes. Après avoir passé son enfance dans les Côtes d'Armor, il entre aux beaux-arts de Rennes où il passe son Dnap, puis obtient une licence d'arts plastiques à la faculté [...]

Wilfrid Moizan vient d'une famille d'artistes. Après avoir passé son enfance dans les Côtes d'Armor, il entre aux beaux-arts de Rennes où il passe son Dnap, puis obtient une licence d'arts plastiques à la faculté de Villejean. En 1996, il obtient son Capes d'arts et devient Professeur. Il déménage en Guadeloupe en 2001, puis s'installe à Saint-Martin en 2006.

De cette enfance sur les rivages bretons, il garde un goût pour les brumes et cette pluie fine qui vient brouiller le réel. Cette idée de voile se retrouve dans sa pratique faite de couches successives, de superpositions qui jouent sur la disparition et l'apparition.

De sa vie aux Antilles, il retient la couleur et un rapport particulier à la lumière. Les personnages qu'il met en scène sont le plus souvent seuls dans des espaces qui évoquent l'île, le refuge intérieur.

Mélangeant souvenirs de voyages, photos de famille, paysages hivernaux, forêts luxuriantes, il opère un métissage des espaces à la frontière du rêve. Ce qui est en jeu, c'est la fragilité de l'existence.

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