Added Sep 19, 2014
I have always found the human face a fascinating subject. We are hardwired in our collective brains to recognize the pattern of the face and distinguish the faces of different individuals in all their unique nuances. They say that every picture tells a story: likewise, every face. My most recent work is of historic figures whose stories are told in the portrayal of their expressions. I am exploring the use of texture, reflective material and surface treatments in different formats, each tied to a series. I tend to work in series utilizing the same subjects in different ways. Some of my works purposely test the limits of our recognition process. They are skewed or otherwise fractured to remove the viewer from their comfort zone. In this way we are forced to confront the act of recognition itself. What is it about some iconic subjects that make their recognition possible, even when they are severely distorted? This emphasis aids in a fresh presentation of a familiar subject. The subjects feel kinetic and energized. In this way, they don’t cause us to just react, but in effect, interact.
T. J. Haugh