Alle Kunstwerke von Oleg Tistol
Mountains • 15 Kunstwerke
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Oleg Tistol's “Mountains” series of paintings demonstrates — perhaps, most consistently — his method[...]
Oleg Tistol's “Mountains” series of paintings demonstrates — perhaps, most consistently — his method of work with the stereotype. Begun in 1987, it includes such cycles as “Landscape”, “Sinai”, “Caucasus”, “Kazbek”, and “Ararat” (2002-2008). All works in the series are made according to one principle: they feature realistically depicted mountain peaks overlaid with stripes of color, with some ornaments stenciled over them. According to the artist's conception, these series have originated from the image on the package of “Kazbek” cigarettes, which date back in turn to a well-known picture by Evgeny Lancéré. Tistol inverses the process — he brings the image from a non-artistic and profane space into the space of a new picture. However, he does this not through adequate repetition but by a metaphor that contains both artistic and non-artistic meanings. Quotations are imposed on quotations, and conventionality — on conventionality. They possess an enigma and mystery. Moreover, it is “Art”.Mountain
TV + Realisme • 15 Kunstwerke
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Oleg Tistol continues the theme of stereotypes in another project entitled “Television”, which analyzes[...]
Oleg Tistol continues the theme of stereotypes in another project entitled “Television”, which analyzes some new features of contemporary reality and visual parameters rooted in media image. In many ways, he was influenced by the events of the Orange Revolution of 2004 when the entire country was mesmerized for hours by TV-screens, following the latest developments on the Maidan Nezalezhnosti (Independence Square). In this project, the artist explores the metamorphoses of the screen image in major news broadcasts of different TV-channels, such as RTR, Inter, Deutsche Welle etc. that transform a human identity into a flat media image. In 2005, Tistol paints the “Telerealism” series, addressing arguably one of the most important problems in contemporary culture — that of television's ability to manipulate situations and characters, as well as attach importance to any kind of image. Transferring a TV screenshot into the format of a painting, the artist connects the former to the tradition of genre pictures and attracts attention to the new forms of reflecting reality. In addition, using the principle of frequency resolution that visually marks the pixilation of the media image, typical for photography and cinema, he in fact moves in the direction of traditional painting by constructing the coloristic space according to the classical rules.
U.B.K. • 15 Kunstwerke
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Tistol's latest project “U. B. K.” (the Russian abbreviation for “Southern Coast of Crimea”), on which[...]
Tistol's latest project “U. B. K.” (the Russian abbreviation for “Southern Coast of Crimea”), on which he has been working since 2007, features a new stereotype as well. In this series, one can find neither complex design nor intricate historical-cultural reflections, nor thе collision of meanings, images, and spaces that were characteristic of his earlier works. Here, the artist comes to the peculiar “trivialization of the exotic” and poeticizing of the everyday life, where the banal turns into the festive and the unusual. It is not accidental that the project includes several cycles of prints made against the background of pages from school notebooks.
National Geography • 14 Kunstwerke
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Ukrainian Money • 14 Kunstwerke
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n 1984, Oleg Tistol began to work on the project “Ukrainian Money” that, without exaggeration, marked[...]
n 1984, Oleg Tistol began to work on the project “Ukrainian Money” that, without exaggeration, marked a new stage in contemporary Ukrainian art. The project was in progress until 2001 (at the beginning of the 1990s, Nikolai Matsenko joined in). In this project, Tistol moved from small drawings and etchings to big panel paintings and large-scale installations. In Tistol's project, money appears as a cultural and symbolic category, which not only marks the history of national independence (in 1918, the design for Ukrainian “karbovantsy” was developed by such famous artists as Georgy Narbut, Mikhail Boichuk, and Alexander Bogomazov), but also anticipates and reflects the main problem of contemporary Ukrainian reality: the choice of values, both genuine and false.
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Biografie
Born in Vradiivka, Nikolaev region,Ukraine, in 1960
Graduated from the Kiev Republican Art School in 1978
Graduated from the Lvov State Institute of Decorative and Applied Arts in 1984
Selected Exhibitions:
2009
Khudfond, Moscow Museum of Modern Art, Moscow
Art Kiev 2009 Contemporary, The Ukrainian House, Kiev
Assortment, Ya-Gallery, Kiev
2008
Ukrainian Art Today, Museum of Russian Art, Kiev
The Ideal Age, Collection Gallery, Kiev
UBK, Collection Gallery, Kiev
2007
Reflection, Pinchuk Art Center, Kiev
Class Work, Ya-Gallery, Kiev
Television, World Bank Building, Moscow
2006
Made in UKR, Tsekh Gallery, Kiev
A New Space, Pinchuk Art Center, Kiev
Ararat-06, Ya-Design Gallery, Kiev
Television, Tsekh Gallery, Kiev
Television, ARTStrelka projects gallery, Moscow
2005
Reality Check, Cultural Center Ukrainian House, Kiev
2004
A Farewell to Arms, Arsenal, Kiev
2003
Natsprom (in collaboration with M. Matsenko), M. Guelman Gallery, Moscow
The First Collection, Central House of Artists, Kiev
2002
National Geography, M. Guelman Gallery, Moscow
Behind the Threshold, Central House of Artists, Moscow
2001
The First Ukrainian Project, 49th Venice Biennale, Venice, Italy
2000
Intervals, National Art Museum, Kiev, Ukraine — Henie-Onstad Museum, Oslo
Paintings, Atelier Karas gallery, Kiev
1999
Preventive Measures, Passage de Retz gallery, Paris
20 Ukrainian Artists. End of the Century, Atelier Karas gallery, Kiev
1998
Accommodation, the Jesuit Gallery, Poznan, Poland
Per Gynt, National Art Gallery, Tronheim, Norway
1997
Photosynthesis, Artists´ Union gallery, Kiev
1996
Hermetic forest, CCA at NaUKMA, Kiev
Interphoto, International Photo Biennale, Moscow
The Museum of Architecture, CCA at NaUKMA, Kiev
1995
Kiev Art Meetings, Cultural Center Ukrainian House, Kiev
1994
Free Zone, Museum of Fine Arts, Odessa, Ukraine
Alchemical Capitulation, flagship Slavutich, Sebastopol, Ukraine
September, 17th , Brama Contemporary Art Center, Kiev
The 22-nd Bienal Internacional de Sao Paolo, Brazil
1993
The Kiev Mohyla Academy, Kiev
EuropeтАЩs Steppe, Center for Contemporary Art Uyazdovsky Castle, Warsaw
1992
Kosoi Kaponir, Kiev Fortress Museum, Kiev
Nine Days, St. Alban Tal, Basel, Switzerland
1991
Wanderlieder, Stedelijk Museum, Amsterdam
End of the Century Art, World Economic Forum, Davos, Switzerland
Shared Earth, Peterborough Museum, Peterborough, United Kingdom
An Act of Artistic Opposition, Central House of Artists, Moscow
1990
The End of the Century, National Gallery of Iceland, Reykjavik
Horizontal Line, Beljaevo Exhibition Hall, Moscow
Art in an Empty House, National Gallery, Bratislava, Czechoslovakia
In der USSR en Erbuiten, Stedelijk Museum, Amsterdam
1989
The Furmanny Lane, Petr Novitsky Gallery, Warsaw
Eidos, The Youth Palace, Moscow
A Resolute Edge of National Post-eclecticism, Kashyrka Exhibition Hall, Moscow
T...
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Nationalität:
UKRAINE
- Geburtsdatum : unbekanntes datum
- Künstlerische Domänen:
- Gruppen: Ukrainische Zeitgenössische Künstler
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Aktivität auf Artmajeur
Letzte Änderungen am: 10.03.2014
(Mitglied seit 2010)
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Artikel
Born in Vradiivka, Nikolaev region,Ukraine, in 1960
Graduated from the Kiev Republican Art School in 1978
Graduated from the Lvov State Institute of Decorative and Applied Arts in 1984
Selected Exhibitions:
2009
Khudfond, Moscow Museum of Modern Art, Moscow
Art Kiev 2009 Contemporary, The Ukrainian House, Kiev
Assortment, Ya-Gallery, Kiev
2008
Ukrainian Art Today, Museum of Russian Art, Kiev
The Ideal Age, Collection Gallery, Kiev
UBK, Collection Gallery, Kiev
2007
Reflection, Pinchuk Art Center, Kiev
Class Work, Ya-Gallery, Kiev
Television, World Bank Building, Moscow
2006
Made in UKR, Tsekh Gallery, Kiev
A New Space, Pinchuk Art Center, Kiev
Ararat-06, Ya-Design Gallery, Kiev
Television, Tsekh Gallery, Kiev
Television, ARTStrelka projects gallery, Moscow
2005
Reality Check, Cultural Center Ukrainian House, Kiev
2004
A Farewell to Arms, Arsenal, Kiev
2003
Natsprom (in collaboration with M. Matsenko), M. Guelman Gallery, Moscow
The First Collection, Central House of Artists, Kiev
2002
National Geography, M. Guelman Gallery, Moscow
Behind the Threshold, Central House of Artists, Moscow
2001
The First Ukrainian Project, 49th Venice Biennale, Venice, Italy
2000
Intervals, National Art Museum, Kiev, Ukraine — Henie-Onstad Museum, Oslo
Paintings, Atelier Karas gallery, Kiev
1999
Preventive Measures, Passage de Retz gallery, Paris
20 Ukrainian Artists. End of the Century, Atelier Karas gallery, Kiev
1998
Accommodation, the Jesuit Gallery, Poznan, Poland
Per Gynt, National Art Gallery, Tronheim, Norway
1997
Photosynthesis, Artists´ Union gallery, Kiev
1996
Hermetic forest, CCA at NaUKMA, Kiev
Interphoto, International Photo Biennale, Moscow
The Museum of Architecture, CCA at NaUKMA, Kiev
1995
Kiev Art Meetings, Cultural Center Ukrainian House, Kiev
1994
Free Zone, Museum of Fine Arts, Odessa, Ukraine
Alchemical Capitulation, flagship Slavutich, Sebastopol, Ukraine
September, 17th , Brama Contemporary Art Center, Kiev
The 22-nd Bienal Internacional de Sao Paolo, Brazil
1993
The Kiev Mohyla Academy, Kiev
EuropeтАЩs Steppe, Center for Contemporary Art Uyazdovsky Castle, Warsaw
1992
Kosoi Kaponir, Kiev Fortress Museum, Kiev
Nine Days, St. Alban Tal, Basel, Switzerland
1991
Wanderlieder, Stedelijk Museum, Amsterdam
End of the Century Art, World Economic Forum, Davos, Switzerland
Shared Earth, Peterborough Museum, Peterborough, United Kingdom
An Act of Artistic Opposition, Central House of Artists, Moscow
1990
The End of the Century, National Gallery of Iceland, Reykjavik
Horizontal Line, Beljaevo Exhibition Hall, Moscow
Art in an Empty House, National Gallery, Bratislava, Czechoslovakia
In der USSR en Erbuiten, Stedelijk Museum, Amsterdam
1989
The Furmanny Lane, Petr Novitsky Gallery, Warsaw
Eidos, The Youth Palace, Moscow
A Resolute Edge of National Post-eclecticism, Kashyrka Exhibition Hall, Moscow
Three Generations of the Post-Stalin Avantgarde, New Beginning Festival, Glasgow, Scotland
1988
Soviart, The First Soviet-American Exhibition, Kiev
1987
Kiev-Tallinn, Polytechnic Institute, Kiev
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