I am an artist and researcher born in 1989 and based in Paris. I studied at the École Nationale Supérieure des Arts Décoratifs of Paris, and at the School of Visual Arts in NYC where I finished valedictorian. The focus of my work is changes in behaviors and languages brought about by technical and technological developments. My work takes many artistic forms, combining traditional mediums with technology to explore the phenomenon of digital creolization. My preferred techniques are AI, engraving, ceramics, weaving, 3D modeling, augmented photography, textiles, and printing. My most recent research includes The Mutation of Desire which I also call Neoporn, NSFW Bored at work as physical resistance to the computer, and DataBotanical which is an exploration of botanics in connection with hyper-technology. I define myself as an ethnologist-visual artist, specializing in creolization and cohabitation with technology. From multiple angles, I explore the myth of the "machine"
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Categories: contemporary french artists.
Artistic domains:
Textile Art, Painting.
Account type:
Artist,
member since 2025 (Country of origin France).
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Professional Artist
Exercises the profession of artist as a main activity
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The artist is recently available on the ArtMajeur online gallery
Biography
I am an artist and researcher born in 1989 and based in Paris. I studied at the École Nationale Supérieure des Arts Décoratifs of Paris, and at the School of Visual Arts in NYC where I finished valedictorian. The focus of my work is changes in behaviors and languages brought about by technical and technological developments. My work takes many artistic forms, combining traditional mediums with technology to explore the phenomenon of digital creolization. My preferred techniques are AI, engraving, ceramics, weaving, 3D modeling, augmented photography, textiles, and printing. My most recent research includes The Mutation of Desire which I also call Neoporn, NSFW Bored at work as physical resistance to the computer, and DataBotanical which is an exploration of botanics in connection with hyper-technology. I define myself as an ethnologist-visual artist, specializing in creolization and cohabitation with technology. From multiple angles, I explore the myth of the "machine"
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