Seven E
E7 (Hangeul, Koreaans alfabet: 이세븐) is een hedendaagse Koreaanse kunstenaar. Zijn stukken weerspiegelen de resultaten van het verstrijken van de tijd en tonen mogelijkheden voor meditatieve contemplatie over fundamentele existentiële vragen. Binnen deze kunstwerken hebben verschillende objecten verschillende betekenissen, en hun combinatie en harmonie omvatten elementen uit het verleden, het heden en de toekomst.
De transformatie van toevallige vormen gecreëerd door het morsen en schilderen van inkt op papier in andere afbeeldingen is niet alleen een artistiek proces, maar ook een onderdeel van een theoretische contemplatie over het zelf en een bron van troost in het leven, op zoek naar expressie vergelijkbaar met vreugdevol spel. Bovendien behouden de kunstwerken, of ze nu in tweedimensionale of driedimensionale vorm zijn, een samenhangende expressie die de eigenschappen van het oorspronkelijke vlak voortzet en de artistieke visie en creatieve continuïteit van de kunstenaar laat zien.
Zijn kunstwerken sieren de privécollecties van verschillende gerenommeerde etablissementen, waaronder JC Co in Inchun, Larion Hotel in Busan, Romano Church in Taejeon, Haram Co in Seoul, R & B Co in Seoul, Papason in LA, Bonjoin in New York, Empire State Gebouw in Manhattan, World Trade Center (WTC), Leonardo da Vinci Fiumicino Airport in Italië en Jeune Gallery in Parijs.
Ontdek hedendaagse kunstwerken van Seven E, blader door recente kunstwerken en koop online. Categorieën: koreaanse hedendaagse kunstenaars. Artistieke domeinen: Schilderij, Digitale Kunst. Type account: Kunstenaar , lid sinds 2023 (Land van herkomst Zuid-Korea). Koop de nieuwste werken van Seven E op Artmajeur: Ontdek de prachtige werken van de hedendaagse kunstenaar Seven E. Blader door kunstwerken, koop originele werken of hoge kwaliteit prints.
Artiest Waarde, Biografie, Studio van de kunstenaar:
Recent Works(Art) • 68 kunstwerken
Bekijk allesRecent works by artist Seven E
Time Box Series • 4 kunstwerken
Bekijk alles그 밑그림은 우리나라 먹물이 퍼지면서 형성되는데, 이 그림들은 지구에서 사라진(멸종) 특정 동물의 모습을 즉흥적으로 보여줍니다.
시멘트 구조가 근대 문명을 상징하고, 택배함도 근대 문명의 문화 현상을 상징하기 때문에 택배함을 이용해 작품을 그립니다.
기호처럼 보이는 모양은 작품의 제목, 알파벳을 아라비아 숫자로 순서대로 바꾸고, 순수한 글자를 컴퓨터에 0과 1의 조합처럼 배열한 것입니다.
부식 질감은 철의 문명인 현대 문명의 표현이기도 합니다.
다른 것들도 추가될 수 있습니다. 결국 지구의 주인은 인간뿐이 아니므로 지구를 위한 모든 생명체가 공존과 공생으로 좋은 환경을 만들 수 있다는 메시지를 전달하려는 것입니다.
There are many expressions in the work. They are structured to create messages because they contradict or are related to each other.
The sketch is formed by the spread of Korean ink, and these figures improvise the appearance of certain animal creatures that have disappeared (extinct) from Earth.
Since the cement structure symbolizes modern civilization, and the delivery box also symbolizes the cultural phenomenon of modern civilization, the work is drawn using the delivery box.
The shapes that look like symbols are the titles of the works, changing the alphabet into Arabic numerals in order, and arranging the pure letters like a combination of 0 and 1 on a computer.
Corrosion texture is also an expression of modern civilization, which is the civilization of iron.
Others can be added. After all, humans are not the only owners of the earth, so it is intended to deliver the message that all living things for the earth can create a good environment by coexistence and symbiosis.
My painting + Famous painting • 6 kunstwerken
Bekijk alles제 작품과 세계적인 명작을 결합하여 새로운 작품을 만들어내는 작업입니다.
각각 그림을 그리고 연결하는 작업이 아니라 두 작품을 한 화면에 유기적인 이미지로 만드는 작업입니다.
제가 이렇게 일을 하는 이유는,
저의 작품은 인류 공동체가 우리 고유의 지구의 소중함을 깨닫고 파괴가 아닌 아름다운 공존을 생각해야 한다는 메시지를 담고 있습니다. 따라서 명작이 나의 작품과 결합해 만들어낸 새로운 이미지는 인류가 현재보다 더 진보된 지구 환경에 현재의 인식이 닿을 수 있는 미래 환경을 만들어야 한다는 메시지를 적극적으로 전달하며, 더 많은 인류가 나의 작품을 보고 환경에 더 많은 관심을 가져주길 바랍니다.
당연히
저의 예술 작품으로서 높은 수준의 가치를 유지하기 위해 노력합니다.
또한.
이 프로젝트는 하나의 명작에 반복 적으로 작업하는 것이 아니라 다양한 명작과 함께 작업할 것입니다.
It's something I've been wanting to do for a long time.
It is the work of combining my work with world-class masterpieces to create new works.
It's not the work of drawing and connecting each one, but the work of making two works an organic image on one screen.
The reason why I work like this is because,
My work contains a message that the human community should realize the importance of our own planet and think about beautiful coexistence, not destruction. Therefore, the new image created by the masterpiece in combination with my work actively conveys the message that humanity should create a future environment in which the present perception can reach the more advanced global environment than the present, and I hope that more humanity will see my work and pay more attention to the environment.
Of course.
As a work of art, I try to maintain a high level of value.
also.
This project will not work repeatedly on one masterpiece, but will work with various masterpieces.
Past Works • 40 kunstwerken
Bekijk allesAmong the works I've worked on in the past, it's a gallery that introduces only important works by period (year).
Respect conformity and value [respect] diversity. • 69 kunstwerken
Bekijk allesThere are times like that for me too.
This gallery is a place where the results are posted when there is such a work.
Hand Bear & Paper sculpture • 30 kunstwerken
Bekijk alles&
도화지를 오려 붙여 만든 종이 조각품으로, 두상은 정삼각형으로만 이어 붙여 만들었으며, 작품의 내부가 없이 외형만 있는 구조물이다.
"현대인"을 표현했으며, 다양한 모양으로 재 해석한 작품이다.
Erkenning
De kunstenaar studeerde kunst door zijn academische studies
De werken van de kunstenaar zijn opgemerkt door de redactie
De kunstenaar neemt deel aan kunsttentoonstellingen en beurzen
Oefent het beroep van kunstenaar uit als hoofdactiviteit
Biografie
E7 (Hangeul, Koreaans alfabet: 이세븐) is een hedendaagse Koreaanse kunstenaar. Zijn stukken weerspiegelen de resultaten van het verstrijken van de tijd en tonen mogelijkheden voor meditatieve contemplatie over fundamentele existentiële vragen. Binnen deze kunstwerken hebben verschillende objecten verschillende betekenissen, en hun combinatie en harmonie omvatten elementen uit het verleden, het heden en de toekomst.
De transformatie van toevallige vormen gecreëerd door het morsen en schilderen van inkt op papier in andere afbeeldingen is niet alleen een artistiek proces, maar ook een onderdeel van een theoretische contemplatie over het zelf en een bron van troost in het leven, op zoek naar expressie vergelijkbaar met vreugdevol spel. Bovendien behouden de kunstwerken, of ze nu in tweedimensionale of driedimensionale vorm zijn, een samenhangende expressie die de eigenschappen van het oorspronkelijke vlak voortzet en de artistieke visie en creatieve continuïteit van de kunstenaar laat zien.
Zijn kunstwerken sieren de privécollecties van verschillende gerenommeerde etablissementen, waaronder JC Co in Inchun, Larion Hotel in Busan, Romano Church in Taejeon, Haram Co in Seoul, R & B Co in Seoul, Papason in LA, Bonjoin in New York, Empire State Gebouw in Manhattan, World Trade Center (WTC), Leonardo da Vinci Fiumicino Airport in Italië en Jeune Gallery in Parijs.
- Nationaliteit: ZUID-KOREA
- Geboortedatum : 1962
- Artistieke domeinen: Werken van kunstenaars met gecertificeerde kunstenaarswaarde, Werken van professionele kunstenaars,
- Groepen: Gecertificeerde artiesten Professionele artiest Koreaanse Hedendaagse Kunstenaars
invloeden
Opleiding
Waarde kunstenaar gecertificeerd
Certificering vastgesteld in samenwerking met Akoun, de wereldwijde leider op het gebied van informatie over de kunstmarkt sinds 1985.
Artiest Waarde Schilderij 2023 | € 4.000,00 (US$ 4.314,80)
Certificering vastgesteld door Jacques-Armand Akoun op 28 jul 2023.
Verwezenlijkingen
Collectieve exposities
Solo-exposities
Activiteit op Artmajeur
Laatste Nieuws
Al het laatste nieuws van hedendaagse kunstenaar Seven E
2024 One-Man Show
33-1 Sure-ro 1120beon-gil, Hwado-eup, Namyangju-si, Gyeonggi-do, Republic of Korea
2024. Seven E. One-Man Show
Nice to meet you.
Happiness will always be with you in your future.
Thank you.
이세븐 핸드베어 展 E7 HandBear
100% 수제 빈티지 곰인형 [핸드베어 : HandBear] 브랜드 론칭 기념 개인전
2023. 3. 15(수) ▶ 2023. 3. 22(수) HandBear_A
HandBear_B
HB-BF052_7x8x10cm_Mixed media_2019
HB-SN018_6x8xcm_Mixed media_2022
HB-A000S79/HB-SN023_6x7x9cm/8x8x10cm_Mixed media_2018/2022
HB-A000S84_6x7x9cm_Mixed media_2018
HB-BF017_6x7x9cm_Mixed media_2020
HB-TF008_7x8x10cm_Mixed media. 2020
Seven E | Story of Mankind | 2021 Private exhibition
Piece title: Are human beings currently living well?
Did humans create the behavioral privileges that they have enjoyed in the history of mankind? Is it right to say that humans are the only entity that governs the world in the place called the earth? If it is so, were they given the qualification to govern or did they grant themselves with it?
Are we protector or destroyer? Or are we a part of symbiosis relationship with inanimate and animate objects, yet practice special authority?
Are we not defining as we like the properties of creation and extinction in the unlimited expansion of concepts? Is mankind constantly advancing?
Wouldn’t we occasionally have to reflect and ask ourselves the questions like these in a very fundamental approach? Such thoughts that seem pretty big and basic at the same time came to my mind one day.
What is expressed in my pieces are the results of processes left by the time trying to show the opportunities for meditative reflection on the questions like these.
Different objects appearing in the pieces have different meanings and they are the combination and harmony that encompass the past, the present, and the future.
The paper box used instead of canvas (paper box used in product packing) is a common packing container that is used for all good produced by the modern mankind and is the representative object that symbolizes the mankind at present, and cement is also seen as a by-product that defines the civilization.
Images like animals that can’t be really defined (familiar but not clear) are imagination that refers to the lives that became extinct in the history of mankind, and images such as clouds and sun are from fixed patterns that children draw which means purity and reflecting the start.
Transforming coincidental forms that are naturally made while spilling and painting ink on a paper into other images and using them is also a part of theoretical reflection of ego and consolation of life that wants expression to be happy like a play.
Pieces expressed in three-dimensional form are also expressed in the same way in the continuation of properties of plane.
“How do you see it?” is of course subjective of the one who sees it, but pieces expressed in these meanings are the results of these days.
I think that taking a step back to reflect on ourselves is a responsibility and an obligation that humans necessarily have to follow.
Exhibition Hall Scenery of the Exhibition Hall