Autumn a not a reason for sadness (2021) Pintura por Sirin Moon

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- Nature is blazing with a bright fire. Look, there are so many colors! So many feelings! Everything seemed to merge in a passionate, colorful dance. It's so beautiful... And so sad, at the same time. - What's so sad about that? - We both know that this dance is a farewell. After this riot of color, everything will fade away.[...]
- Nature is blazing with a bright fire. Look, there are so many colors! So many feelings! Everything seemed to merge in a passionate, colorful dance. It's so beautiful... And so sad, at the same time.
- What's so sad about that?
- We both know that this dance is a farewell. After this riot of color, everything will fade away. And this is inevitable. Autumn is like an agony before death, a bright, short flash, and after... Icy silence, emptiness..
- You know, there is no death. This is just another stage. Nature falls asleep to gain strength before the birth of a new life. Otherwise it is impossible.
- Yes, that's right. But how to survive this cold dream, how not to go crazy without the gentle rays and warm wind?
- Just Be. Here. With me. I'll make you a scalding strong coffee and wrap your feet in a woolen blanket. Let's read fairy tales and dream about summer. This also has its own charm.
- You're right. Autumn is not a reason for sadness. When you know that even on the coldest night, someone's warm hands will embrace you.

Temas relacionados

Autumn ColorsMountainsColors Of NatureAbstract LandscapeFor Living Room

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Hello, my name is Sirin Moon (Lesya Nakonechnaya). I am a professional artist from Russia. I create my works within the framework of a concept I call Existential Historicism. This concept is based on a worldview[...]

Hello, my name is Sirin Moon (Lesya Nakonechnaya). I am a professional artist from Russia. I create my works within the framework of a concept I call Existential Historicism. This concept is based on a worldview approach based on the centralization of a person's personal history, his path and internal transformation, as well as on the study of the dynamics of personality development in the context of his personal history.
A person's personal history plays a central role. Art in this process acts as a tool with which a person cures and studies the reality being lived. At the same time, the style, technique, and even the art form itself (painting, dance, literature, cinema, photography) is not so important. The effect of psychotherapy itself is important, the healing role of art.
Speaking more figuratively, the concept of Existential historicism is based on the idea that the life of each individual is a movie where he is a director, screenwriter and protagonist at the same time.But he doesn't always realize it. It can be anything - an eccentric comedy or a psychological drama, a thriller or a detective, an action or an arthouse, or perhaps all together, this is not the main thing. The bottom line is that everyone in his film learns about himself, his value, his Way. Everyone goes through a certain transformation, gets experience, changes.And this is valuable in itself. But being "inside our film" we do not notice this, we do not see movement, we lose the thread of the storyline, we devalue what is happening to us.And in order to be able to return to the right moment, rethink it, relive it, or just remind ourselves that life is going on, and that something is happening in it every moment, even if it doesn't seem important to us, we need "anchors". Such freeze-frames from our lives. It's like polaroid snapshots, imprints of feelings, emotions, impressions, dreams, fears, dreams, actions captured in a work of art. This is something that is designed to remind us that the path we are going through is important and valuable, it makes sense.
That is, with the help of the artistic language used in literature, fine art, music, dance, performance, or other art form, works are created that allow you to relive, realize, explore or even predict future situations, feelings, emotions, thoughts, images, dreams. Thus, it becomes possible to realize the value of the path traveled and the experience gained, both the author and the third-party viewer, who, although he did not live the same experience as the creator of the work, but at the same time his personal anchors, based on archetypal images shared with the author, or similar experiences, can work.

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