Lease Obrazy by Bert Hermans

Wynajęcie dzieła „ Europoort ” przez Bert Hermans z opcją zakupu

Obrazy firmy Bert Hermans są dostępne w leasingu z opcją zakupu

Malarstwo zatytułowany „Europoort” autorstwa Bert Hermans, Oryginalna praca, Olej Zamontowany na Panel drewniany
Europoort (2012)
Malarstwo autorstwa Bert Hermans - 15,8x19,7 in
1 183,41 USD

Wybierz miesięczne płatności:

Miesięczne płatności
102,4 €
Wartość rezydualna
33,17 €
Oszczędności podatkowe
379,34 €
Całkowity koszt
985 €
Miesięczne płatności
58,03 €
Wartość rezydualna
33,17 €
Oszczędności podatkowe
397,01 €
Całkowity koszt
1 029 €
Miesięczne płatności
42,02 €
Wartość rezydualna
33,17 €
Oszczędności podatkowe
431,21 €
Całkowity koszt
1 115 €
Miesięczne płatności
32,99 €
Wartość rezydualna
33,17 €
Oszczędności podatkowe
451,44 €
Całkowity koszt
1 165 €
* Jest to jedynie orientacyjna symulacja. Propozycja umowy zostanie wysłana do Ciebie po zapoznaniu się z dokumentami uzupełniającymi i zatwierdzeniu Twojej dokumentacji przez naszego partnera finansowego.

Prośba o informacje na temat leasingu "Europoort"

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Najczęściej zadawane pytania (FAQ)

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Więcej informacji

Europoort (2012)
Malarstwo autorstwa Bert Hermans - 15,8x19,7 in
Malarstwo zatytułowany „Europoort” autorstwa Bert Hermans, Oryginalna praca, Olej Zamontowany na Panel drewniany

O autorze

Obserwuj
I was born in Voorburg (Netherlands) and live in Rotterdam. My interest in drawing and painting started at secondary school in Tilburg. Spatial mathematics (stereometry) really appealed to me. I also took drawing[...]

I was born in Voorburg (Netherlands) and live in Rotterdam. My interest in drawing and painting started at secondary school in Tilburg. Spatial mathematics (stereometry) really appealed to me. I also took drawing lessons there from a well-known painter, Jan Asselbergs. He thought I should go to art school, but because of the poor job market prospects I didn't do that at the time. I actually wanted to become an architect myself, but I worked as a lawyer. Nevertheless, my interest in (spatial) drawing and painting remained and I have picked up that thread again carefully, in addition to my work. I took painting lessons at the Stichting Kunstzinnige Vorming in Rotterdam (SKVR) in acrylic, watercolor and oil painting. Later I started specializing in oil painting. In line with my previous interest in architecture, I focused on industrial and cultural heritage. An inexhaustible theme.

In my work I have been influenced by artists such as Pieter Saenredam, M.C. Esscher and Hopper and the architecture of Frank Lloyd Wright, among others.
I have been making my oil paintings since 2013 in my studio at Vest 69 in Gouda. The source of inspiration for my paintings are abandoned and often dilapidated industrial buildings, which I usually capture just before demolition or renovation through sketches and photos. In addition to industrial heritage, I also paint cultural heritage: well-maintained or restored buildings with a cultural value.
I want to make my paintings a special experience through the use of color and light. Dark desolation has to make way for light and warmth. I regularly add characters to the heritage that give the image a different or extra meaning. Some paintings contain a "hidden message" or a reference to current events.


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