Are you sure it's not too much, dear? (2019) 绘画 由 Peter Dzogaba

丙烯在纸上, 16.5x23.6 in
US$571.43
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When Yobobo kisses someone for the first time, he falls asleep. Well, that's how it is with him. But then he wakes up full of Real Love 关于这件艺术品: 分类, 技术技巧 & 款式. 丙烯. 使用传统颜料与合成树脂混合的油漆。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. 相关主题. AffaireReal LoveBad [...]
When Yobobo kisses someone for the first time, he falls asleep. Well, that's how it is with him. But then he wakes up full of Real Love

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Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry. Peter's oeuvre draws on the 20th c. modernist tradition and reflects the [...]

Conceptual, visual and performance artist, animator and media producer from Berlin, Germany. Works also for TV and computer game industry.

Peter's oeuvre draws on the 20th c. modernist tradition and reflects the edgy current social awareness so typical of the German millennial culture.  Peter's images with seemingly fairy-tale like narrative hide a deft analysis of the current social crisis.

Fear of the unknown, emotionally underhanded tactics and messages media employs to manipulate- to exploit or pacify such fears,- as well as the consequences of such tactics are the issues Dzogaba explores in his series.

As all Peter's work - though deceivingly simple and childlike,  this contemporary comics is brilliantly layered and complex.  On the surface, it is a tale of the Giant Yubobo told from a perspective of a little boy.  Its simplicity -also typical of his Yubobo series- is meant to both disarm and intrigue the viewer, to elicit his inner child and delve into the story of a mysterious Cyclop (one-eyed) giant.  Who is he, why did he come, where did he come from,  what does he want?

As a whole, Yobobo series consists of several paintings, yet their order can be altered, some images can be omitted, others added when displayed- without changing the meaning or ultimate goal of the narrative Dzogaba attempts to convey.  The idea of this narrative “play” – amplification, addition and omission of narrative elements of the whole story (or “whole picture”)- was conceived to replicate tactics used by the current news media to manipulate our attitudes, our worldview when encountering new social phenomena. 

Peter’s images with his seemingly fairy tale like narrative hide a deft analysis of the current social problem faced by the European continent - that of the migrant crisis. His approach both mimics and criticizes that of the current media.

His “comics” tell a story of a giant Yobobo who shows up in a fictitious megalopolis squeezing through the city’s skyscrapers.  Overnight he becomes a media celebrity.  One minute a Violet Lady gave him a funny moon, the next, the giant is trying to shield himself from the flashes of paparazzi’s cameras.   Among the journalists is a red-headed female whom Yubobo decides to let her in on a secret… And the following morning she wakes up with a strange looking big artificial hand that makes her strong and capable of doing anything she wants and desires.

Yet the girl gets frightened and collapses mentally unable to deal with her new reality.  There are many more like her until one of the "strong arm" girls realizes she likes using it to stroke her hair; another girl uses it to fashion herself a companion robot.  Eventually, little by little, the inhabitants of the city get used to what’s happening and pretend that everything is just normal...


[Silvia Lattova, Think+Feel Contemporary]

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丙烯在帆布上 | 39.4x39.4 in
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绘画 标题为“Your Majesty, my gr…” 由Peter Dzogaba, 原创艺术品, 丙烯
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绘画 标题为“C'mon - U R not rea…” 由Peter Dzogaba, 原创艺术品, 丙烯
丙烯在纸上 | 23.6x16.5 in
US$571.43
绘画 标题为“Do you really think…” 由Peter Dzogaba, 原创艺术品, 丙烯
丙烯在纸上 | 23.6x16.5 in
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