Lease Schilderijen by Veryan Edwards

Lease van het werk “ Man Embedded ” van Veryan Edwards met aankoopoptie

De Schilderijen van Veryan Edwards zijn beschikbaar voor lease met koopoptie

Schilderij getiteld "Man Embedded" door Veryan Edwards, Origineel Kunstwerk, Olie
Man Embedded (2003)
Schilderij door Veryan Edwards - 29,9x0,4 in
US$ 355,22

Kies uw maandelijkse betalingen:

Maandelijkse betalingen
€ 28,23+BTW
Restwaarde
€ 9,21+BTW
Belastingbesparing
€ 104,6+BTW
Totale prijs
€ 272+BTW
Maandelijkse betalingen
€ 16,46+BTW
Restwaarde
€ 9,21+BTW
Belastingbesparing
€ 112,58+BTW
Totale prijs
€ 292+BTW
Maandelijkse betalingen
€ 11,41+BTW
Restwaarde
€ 9,21+BTW
Belastingbesparing
€ 117,14+BTW
Totale prijs
€ 303+BTW
Maandelijkse betalingen
€ 9,12+BTW
Restwaarde
€ 9,21+BTW
Belastingbesparing
€ 124,83+BTW
Totale prijs
€ 322+BTW
* Dit is slechts een indicatieve simulatie. Na bestudering van uw bewijsstukken en validatie van uw dossier door onze financiële partner wordt u een contractvoorstel toegestuurd.

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Veelgestelde Vragen

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Meer info

Man Embedded (2003)
Schilderij door Veryan Edwards - 29,9x0,4 in
Schilderij getiteld "Man Embedded" door Veryan Edwards, Origineel Kunstwerk, Olie

Over de auteur

Volgen
Résumé. Veryan Edwards has been living in Botswana since January 1980 and has had a studio in Gaborone since 1985. She was born in Hongkong in 1949 and spent her childhood travelling between China and the United [...]

Résumé
Veryan Edwards has been living in Botswana since January 1980 and has had a studio in Gaborone since 1985. She was born in Hongkong in 1949 and spent her childhood travelling between China and the United Kingdom. Both her parents were British and on their retirement, the family lived in England for four and a half years when Veryan and her parents moved to South Africa. Veryan attended Rhodes University in Grahamstown, majoring in painting and History of Art. She went on to start a Master’s Degree in Fine Art at the University that was later completed while she was working as an art teacher in Johannesburg.

At first, Veryan worked with a friend at the St Ansgar’s Mission, Johannesburg, running a small art studio for children from Kagiso, a suburb of Soweto and producing and teaching pottery. She then worked for the African Music and Drama Association (AMDA) under Khabe Mngoma at Dorkay House. As Head of Art at AMDA, Veryan conducted classes for artists at Dorkay House and in Orlando West, Soweto and in Lenasia. She was later co-Director of AMDA and finally Director of AMDA for a couple of years. She then went to work as an art teacher at Redhill School, finally teaching all ages from kindergarten to Matriculation. In 1980, Veryan and her husband moved to the village of Kanye in Botswana and she concentrated on her studio work and a degree in Philosophy and Logic through the University of South Africa..

In March 1989, Veryan initiated the introduction of an international workshop to Botswana based on the model of the Triangle International Artists’ Workshop in New York, USA. Veryan produced the fundraising documents, set up contacts and gained the official support of the Botswana National Museum for the project, which has, however, remained independent of Government. A committee was set up through the Museum and a Trust was established so that a bank account could be opened. The first workshop took place in November 1989 in Kanye with artists from Botswana, South Africa, Zimbabwe, Zaire, the United States and the United Kingdom. As coordinator and Chairperson, Veryan organised the funding, travel, venue, accommodation, materials and equipment, booked the final exhibition and transport of works. She continued to do this for all the subsequent workshops through to 1996 and the 2001 workshop, even if she did not take part personally.

In 1995, after an inspiring visit to Zambia, Veryan initiated the idea of starting a Visual Art Centre in Gaborone and led the search for a venue. The only place available that would not require funding in the millions was a unused and decayed old house and tiny ancient battle field, which is a National monument from the Boer War. The Thapong Visual Art Centre has been established there since 1999, starting with a portacabin and tents while the Old House was renovated. Veryan was the Director of the Visual Art Centre and Chairperson of the Trust from 1999 to January, 2003. ...

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