Lease Schilderijen by Gennadiy V. Ivanov

Lease van het werk “ Time To Judge The Exception ” van Gennadiy V. Ivanov met aankoopoptie

De Schilderijen van Gennadiy V. Ivanov zijn beschikbaar voor lease met koopoptie

Schilderij getiteld "Time to judge the e…" door Gennadiy V. Ivanov, Origineel Kunstwerk, Olie
Time to judge the exception (2020)
Schilderij door Gennadiy V. Ivanov - 25,6x36,2 in
US$ 14.284,81

Kies uw maandelijkse betalingen:

Maandelijkse betalingen
€ 1.132,78+BTW
Restwaarde
€ 369,63+BTW
Belastingbesparing
€ 4.196,91+BTW
Totale prijs
€ 10.899+BTW
Maandelijkse betalingen
€ 660,73+BTW
Restwaarde
€ 369,63+BTW
Belastingbesparing
€ 4.519,53+BTW
Totale prijs
€ 11.708+BTW
Maandelijkse betalingen
€ 457,86+BTW
Restwaarde
€ 369,63+BTW
Belastingbesparing
€ 4.697,66+BTW
Totale prijs
€ 12.155+BTW
Maandelijkse betalingen
€ 366,08+BTW
Restwaarde
€ 369,63+BTW
Belastingbesparing
€ 5.008,02+BTW
Totale prijs
€ 12.933+BTW
* Dit is slechts een indicatieve simulatie. Na bestudering van uw bewijsstukken en validatie van uw dossier door onze financiële partner wordt u een contractvoorstel toegestuurd.

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Veelgestelde Vragen

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Meer info

Time to judge the exception (2020)
Schilderij door Gennadiy V. Ivanov - 25,6x36,2 in
Schilderij getiteld "Time to judge the e…" door Gennadiy V. Ivanov, Origineel Kunstwerk, Olie

Over de auteur

Volgen
Nationality:. British. Education:. 2010-2011 Graduated for a MA Fine Art Norwich University of the Art. Membership:. 2010-2025 Member of The Outpost Studios. 2011-2023 Stray artists group (Cambridge). 2017-2023 [...]

Nationality:
British
Education:
2010-2011 Graduated for a MA Fine Art Norwich University of the Art.
Membership:
2010-2025 Member of The Outpost Studios
2011-2023 Stray artists group (Cambridge)
2017-2023 Member of Norwich 20 artists group
Work:
From 2005 permanently at the Norwich Studio Art Gallery
2019-2021 Artist-in-Residence, The Canadian Centre for Water Forecasting and Prediction at the University of Saskatchewan, Canada
2022-2024 UNESCO

My works is a wide variety of media, including paintings, installations, drawings, and photography. Bringing these media together into a provocative collision, my work is mine a territory defined by not only the specters of recent world political history but also the deeply flowing social veins of underground style as manifested in the popular culture realms of street art fashion and experimental dance and music.
My works walk a tightrope between West-East remembrance and the rigorous anti-logic of dream analysis while also touching on art historical references ranging from Van Gogh to Frances Bacon.
It might be possible to trace my focus on the vagaries of memory, history and subcultural style to my parallel life as a poet, fiction writer, and historian. My curatorial projects 2014-2018 evidenced a refined display of mine multitasking painterly practice as well as my oneiric* Historical analytic. I am brought into proximity a series of canvases that ranged from quasi-psychedelic non-representational liquid (oily) pours to expressively figurative large-scale canvases. The artworks painterly invocations of phyla-political analysis of the history of the 20-21st century globalist’s masculinity. To my credit, I creates a level of narrative ambiguity in these works that is suggestive without being dogmatic.

My works addressed the acts of looking and seeing, and considers the way in which painting can stake a claim for itself amid the proliferation of contemporary visual formats. Elements from public activities such a walking, literature, music, history, mythology, philosophy and travel appear in this work as a way to make there elements accessible to a broad audience.


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