Lease van het werk “ Under The Bridge ” van Andrei Svistunov met aankoopoptie
De Schilderijen van Andrei Svistunov zijn beschikbaar voor lease met koopoptie
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Veelgestelde Vragen
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Over de auteur
Andrey Svistunov was born in St. Petersburg, lives and works in Berlin, Germany. Being an architect by training and having extensive experience on the embodiment of the ideas in forms inherent in architecture, it continues the creative realization of these ideas begun in Academy of Arts also as the artist. Its graphic works are distinguished by metaphoricalness, diversity and exact possession of material. The air prospects of its works originate in profound knowledge of the principles of classical order architecture and classical academic school, but steadily leave further the framework ordered by its profession in which to the artist, obviously, it becomes close. Almost all his graphic pictures are anyway connected with antiquity or revival, but from classical ouvrages they are distinguished by the special world created by the artist in whic h as in a mirror both scenery of the Renaissance theater, and phantasmagoric masks carnival San Marco and bible tendency of infinite steps of the ladders leaving to heaven are reflected.
The famous artist-aquarellist and the architect Mikhail Filippov had a huge impact on me. Even many years later after ours with it meetings I consider him the teacher, the person who inspired me and taught me invaluable lessons of possession of a watercolor.
The watercolor is that material which use allows to transfer most fully and easily unsteadiness of forms, the alternating architectural prospects, that is the fact that makes the composite and semantic content of my works.
In time training in Imperial Academy of Arts in St. Petersburg, on one of last years, I participated in a summer visiting session of School of Prince Charles.
After the termination of Academy of Arts having worked some time in the Architectural workshop of Mikhail Filippov, I was engaged in independent creativity.
For two decades I was both an architect and the designer, but never stopped being the artist.
My world – my freedom.
My view of the world is an invariable love to all wonderful in this world.
My art is a reflection of my internal feelings and reflections about what could be, but for some reason did not happen though before my eyes there pass images often same tangible and substantial, as well as the world surrounding me.
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Nationaliteit:
ISRAËL
- Geboortedatum : 1969
- Artistieke domeinen: Werken van professionele kunstenaars,
- Groepen: Professionele artiest Hedendaagse Israëlische Kunstenaars
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