Seasons (2022) Sculpture by Oly Miltys

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The composition is based on the contrast of large archaic figures, which serve as pillars culture and traditions on the one hand, and the loud figures of contemporaries, who nolens volens are the carriers of these traditional values, character, and mentality. Large figures represent the seasons and age, serving as symbols of seasonal changes in nature[...]
The composition is based on the contrast of large archaic figures, which serve as pillars culture and traditions on the one hand, and the loud figures of contemporaries, who nolens volens are the carriers of these traditional values, character, and mentality. Large figures represent the seasons and age, serving as symbols of seasonal changes in nature and changing ages of human life. Nature and geography have a huge impact on mentality, and age – on acceptance and understanding of cultural code. How and when does cultural identity occur? What affects the transmission of this code? Can we move forward without destroying traditional values, or is this process inevitable? Do we need to manage it? Or shall we rely on evolutionary development?
The exposition calls to pose questions about our heritage, cultural identity, the meaning of culture, in our lives.
Cultural identity.
“Self-awareness of belonging to a particular cultural community through self-identification with its cultural patterns. Cultural identity is shaped as a result of overlaying of different cultural influences, to which an individual is susceptible.” Wikipedia

Related themes

SeasonsWomanPeasant WomanModelTradition

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Olga Myltseva is a contemporary sculptor based in Serbia. The main area of her work is figurative ceramics sculpture. Ceramic art attracted her by its plasticity and the possibility[...]

Olga Myltseva is a contemporary sculptor based in Serbia. The main area of her work is figurative ceramics sculpture. Ceramic art attracted her by its plasticity and the possibility to work with both color and shape. Myltseva in her works loves to use the texture of materials to enhance the image. She is working in various styles, experimenting with materials, and trying different techniques when using ceramics, porcelain, glazes, gold. She is always inspired by the beauty that the fired clay can provide. For her, working with ceramics is inherently a deeply philosophical exercise; you work with a material that does not age for all eternity and at the same time is fragile like human life.

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