Miroslav Nesic (1945 - 2015) was born in Yugoslavia. Since 1964, spanning over 45 years with more than 100 solo and group exhibitions around Europe and Canada, the work of Miroslav Nesic has been constantly transforming.
After his graduation from the Academy of Arts and his recognition in the early years in Europe as a surrealist of the Yugoslav school, he moved under government sponsorship to Canada, in the mid-seventies, where he eventually established himself as an expressionistic figurative painter of great dynamism and power.
The relationship between man and his environment, his place in society and communication with others are constant themes of his work. The tension between the mathematical, technological world and the organic world of nature is the artist’s way to warn, alert and make us think.
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Categories: contemporary canadian artists.
Artistic domains:
Painting.
Artist represented by Atlantean Art Gallery.
Account type:
Artist,
member since 2019 (Country of origin Serbia).
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Established artist
The artist is recognized for their work
Represented by a gallery
The artist is officially represented by a gallery
Art Education
The artist studied the arts through his academic studies
Biography
Miroslav Nesic (1945 - 2015) was born in Yugoslavia. Since 1964, spanning over 45 years with more than 100 solo and group exhibitions around Europe and Canada, the work of Miroslav Nesic has been constantly transforming.
After his graduation from the Academy of Arts and his recognition in the early years in Europe as a surrealist of the Yugoslav school, he moved under government sponsorship to Canada, in the mid-seventies, where he eventually established himself as an expressionistic figurative painter of great dynamism and power.
The relationship between man and his environment, his place in society and communication with others are constant themes of his work. The tension between the mathematical, technological world and the organic world of nature is the artist’s way to warn, alert and make us think.
There are two points of attraction in the painting fighting for the appreciator's attention, such a fight is injurious and inimical to the painting as a whole, but if the appreciator is such skilled to disentangle that two pieces, the outcome is a complex painting that leads you all the way down to the deep secrets of human experience.
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