When we look at Milesi's abstract works, curiosity instigates us to want to know about the reality of objects.
Milesi is a professionnal photographer. In his abstract works, curiosity instigates us to want to know about the reality of objects: what was actually photographed? The figuration is not identified, it remains secret. One could denounce it: they are clippings of abstract textures captured photographically. Abstract art uses a visual language of shape, form, color, and line to create a composition that may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century, many artists felt a need to create a new kind of art that would encompass the fundamental changes taking place in technology, science, and philosophy. The sources from which individual artists drew their theoretical arguments were diverse and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are closely related terms. They are similar, but perhaps not of identical meaning. Milesi lives and works in Brazil. His work is present in many private collections.
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Categories: contemporary portuguese artists.
Artistic domains:
Photography.
Artist represented by Artmajeur.
Account type:
Artist,
member since 2020 (Country of origin Brazil).
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Represented by a gallery
The artist is officially represented by a gallery
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Biography
Milesi is a professionnal photographer. In his abstract works, curiosity instigates us to want to know about the reality of objects: what was actually photographed? The figuration is not identified, it remains secret. One could denounce it: they are clippings of abstract textures captured photographically. Abstract art uses a visual language of shape, form, color, and line to create a composition that may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century, many artists felt a need to create a new kind of art that would encompass the fundamental changes taking place in technology, science, and philosophy. The sources from which individual artists drew their theoretical arguments were diverse and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are closely related terms. They are similar, but perhaps not of identical meaning. Milesi lives and works in Brazil. His work is present in many private collections.