Painting titled "Tatiana 1886 - séri…" by Marie Renaud, Original Artwork, Acrylic Mounted on Wood Stretcher frame

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Tatiana 1886 - série Journal collage#1 (2024) Painting by Marie Renaud

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Rating: 4.9 (12745 reviews)

Original

Acrylic on Canvas, 25.6x21.3 in

$1,305.64

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Seller Marie Renaud

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One of a kind

Artwork signed by the artist

Certificate of Authenticity included

Ready to hang

This artwork is framed

Mounted on Wood Stretcher frame

This artwork appears in 2 collections

Original Artwork (One Of A Kind) Painting, Acrylic / Oil / Pastel / Collages on Canvas

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions 27.2x22.8 in
Dimensions of the work alone, without framing: Height 25.6in, Width 21.3in
Artwork's condition The artwork is in perfect condition
Framing This artwork is framed (Floating Frame)
Categories Paintings under $5,000 Conceptual Art Nude

Cette œuvre combine des éléments de dessin et de collage pour créer une composition unique et dynamique. Une silhouette esquissée en lignes rouges traverse le centre de la toile, suggérant mouvement et fluidité. Le contraste des traits noirs audacieux ajoute profondeur et dynamisme. À droite, des fragments de papier d'un journal intime de 1886 collés introduisent une dimension texturale et évoquent une sensation de temporalité, comme si l'œuvre capturait un moment fugitif. Les tonalités terreuses et les nuances de gris créent une atmosphère sereine mais intrigante, ajoutant à la complexité de la pièce. L'artiste joue habilement avec les matières et les formes, invitant le spectateur à une réflexion sur l'impermanence et la matière. Cette œuvre est un exemple frappant de l'alliance entre technique moderne et expression artistique intemporelle.

About this artwork: Classification, Techniques & Styles

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Oil

Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger.

Painting Pastel

Pastel is an instrument widely used in plastic arts. Taking the form of a colored plastic stick, it is composed of pigments, a filler (chalk or plaster) and a binder (gum arabic, oil, wax). We mainly distinguish fatty pastels (oil or wax), dry pastels, whether soft or hard. Invented in Europe at the end of the 15th century, this tool was very quickly used by great portrait painters of French royalty, such as Charles Le Brun, Rosalba Carriera, Jean Siméon Chardin or Maurice Quentin de La Tour, who will be considered the "Prince of pastellists", thanks to a method of fixation of which only he knew the secret.

Pastel

Drawing made with a colored stick. It consists of pigments, a charge and a binder. A distinction is made between dry pastels (soft or hard) and fatty pastels (oil or wax).

Collages

Collage is an artistic creation technique that consists of making a plastic creation by combining elements of various kinds: more or less flat materials, such as printed oilcloth, painting or drawing, newspaper extracts with text and photos, paper paintings, documents, various objects of low relief, etc. When the creation incorporates elements in relief, one can also speak of assemblage. This also includes glued papers, which employ a variety of papers, including newspaper, and drawing techniques.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Related themes

Femme Collage Silhouette Texte Nu

Marie Renaud

France

Née en 1976 à Lille, où elle fera des études à l'école d'art appliqués de Roubaix, ESAAT. Elle continue son cursus à l'ecole d'art Bellecour de Lyon. Après près de 20 ans dans la communication, Marie reprend ses [...]

Dans son travail tout commence par une quête : celles des livres oubliés, des pages jaunies, des fragments de récits. Marie Renaud les chine avec soin, arpentant marchés, librairies poussiéreuses, et greniers. Ces vestiges littéraires, souvent destinés à l'oubli ou au recyclage, retrouvent une nouvelle vie sous mes mains. Ces pages ne sont pas choisies au hasard. Les textes ne sont pas de simples supports, ils inspirent, orientent et nourrissent son processus créatif.

C'est un dialogue entre passé et présent, entre immuable et l'éphémère.

Le modèle vivant, toujours féminin et nu, est souvent au cœur de son travail. La nudité n'est pas seulement esthétique; elle est une célébration de la vulnérabilité, de la puissance, et de la beauté brute du corps.

Chaque tableau raconte une histoire : celle de la femme représentée, mais aussi celle du livre, de ses récits et des mains qui l'ont tenu avant l'artiste.

Les œuvres de Marie Renaud ne cherchent pas à figer le temps mais à le superposer, à entrelacer des vies, des époques, et des émotions. Ils se mêlent à son propre langage artistique.