Cappellino rosso (2019) Digitale Kunst door Marco Ciarciaglino

Fine art papier, 11x8 in
  • Dit werk is een "Open Edition" Digitale Kunst, Giclée / Digitale afdruk
  • Dimensies Verschillende maten beschikbaar
  • Verschillende ondersteuningen beschikbaar (Fine art papier, Bedrukkingen op Metaal, Canvas Print)
  • Framing Framing beschikbaar (Zwevend frame + onder glas, Frame + onder acrylglas)
  • Staat van kunstwerk Het kunstwerk is in perfecte staat
  • Categorieën Illustratie Kid portretten
Over dit kunstwerk: Classificatie, Technieken & Stijlen. Technisch Digitale Kunst. Digitale kunst verwijst naar een diverse reeks creatieve categorieën die gebruik maken van de specifieke kenmerken van taal en digitale apparaten, computer, interface of netwerk. Het heeft zich ontwikkeld als een artistiek genre sinds het begin van de jaren 60. Naarmate...

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BambinaFavola

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Florence is the city where I live and work, and where I was born in 1963. My educational journey is deeply rooted in tradition: I graduated from the Florence Art High School and subsequently attended various specialization...

Florence is the city where I live and work, and where I was born in 1963. My educational journey is deeply rooted in tradition: I graduated from the Florence Art High School and subsequently attended various specialization courses. This eclectic training spans from classical painting and the traditional principles of drawing to the modern language of comics and traditional art printing, laying the foundation for my future practice in digital art.

My interest in new technologies led me to computer graphics, culminating in 2003 with my qualification as a Certified Graphic Designer Technician. This technical expertise allowed me to explore various creative fields, including the realization of stage designs for theater and different performances.

I currently work as a freelance illustrator, dedicating myself primarily to digital illustration. I have had the opportunity to see some of my work published in specialized magazines like ComputerArts, a satisfaction that validates the value of my research in visual content creation.

In my works, I have increasingly embraced digital art. However, I constantly strive to maintain and honor my original manual skill, using it as a filter. I work with a graphic tablet, experimenting with digital brushes to find a balance between the precision of the computing medium and the uncertain, yet human, quality of the hand’s stroke. While I greatly admire the potential of 3D works and the more polished computer graphics, I must say that I prefer the imperfection and the lack of standardization in my gesture over standardized, perfect beauty. This approach, which merges mixed techniques and manual sensibility, allows me to create fine art prints that are not just reproductions, but vibrating artworks, making me a digital painter whose work is sensitive and closer to my soul.

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